{"id":102,"date":"2025-05-23T11:59:39","date_gmt":"2025-05-23T17:59:39","guid":{"rendered":"https:\/\/contemporaneo.magiovillo.com\/?p=102"},"modified":"2025-05-23T11:59:39","modified_gmt":"2025-05-23T17:59:39","slug":"fallece-sebastiao-salgado-a-los-81-anos","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/05\/23\/fallece-sebastiao-salgado-a-los-81-anos\/","title":{"rendered":"Fallece Sebasti\u00e3o Salgado a los 81 a\u00f1os"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Sebasti\u00e3o Salgado, \u00edcono de la fotograf\u00eda documental y fotoperiodismo, falleci\u00f3 hoy a los 81 a\u00f1os, consecuencia de la leucemia, provocada por la malaria que tuvo a\u00f1os atr\u00e1s.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">El Instituto Terra, creado junto a su esposa, L\u00e9lia Wanick Salgado, inform\u00f3 sobre el deceso ocurrido en Par\u00eds, Francia, donde resid\u00eda el fot\u00f3grafo.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Sebasti\u00e3o, originario de Brasil, naci\u00f3 el 1944 en Concei\u00e7\u00e3o do Capim. Apasionado de la fotograf\u00eda, en 1973 comenz\u00f3 su labor de fotografiar injusticias sociales, problem\u00e1ticas mundiales y destrucci\u00f3n de la naturaleza mediante su lente.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Su talento, dedicaci\u00f3n y estilo de retratar en blanco y negro, lo hicieron acreedor a premios como El Pr\u00edncipe de Asturias de las Artes, en 1988; Sony World Photography Awards, en 2024; y el Premio Rey de Espa\u00f1a de Periodismo, en 1988, entre otros.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Algunas de sus obras destacadas son: <\/span><i><span style=\"font-weight: 400;\">Trabajadores y \u00c9xodos, Amazonia, G\u00e9nesis.<\/span><\/i><\/p>\n<p><strong>Les compartimos una entrevista que realiz\u00f3 el INAH el 19 de marzo de 2025, donde Salgado habla de su exposici\u00f3n Amaz\u00f4nia en el Museo Nacional de Antropolog\u00eda.<\/strong><\/p>\n<div class=\"ast-oembed-container \" style=\"height: 100%;\"><iframe loading=\"lazy\" title=\"Sebasti\u00e3o Salgado, un viaje a la fotograf\u00eda. Conversaci\u00f3n con Juan Villoro\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/NgrHyP5ONHg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sebasti\u00e3o Salgado, \u00edcono de la fotograf\u00eda documental y fotoperiodismo, falleci\u00f3 hoy a los 81 a\u00f1os, consecuencia de la leucemia, provocada por la malaria que tuvo a\u00f1os atr\u00e1s. El Instituto Terra, creado junto a su esposa, L\u00e9lia Wanick Salgado, inform\u00f3 sobre el deceso ocurrido en Par\u00eds, Francia, donde resid\u00eda el fot\u00f3grafo.\u00a0 Sebasti\u00e3o, originario de Brasil, naci\u00f3 [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-102","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=102"}],"version-history":[{"count":0,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/102\/revisions"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=102"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}