{"id":1122,"date":"2026-04-14T20:20:13","date_gmt":"2026-04-15T02:20:13","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1122"},"modified":"2026-04-14T20:20:13","modified_gmt":"2026-04-15T02:20:13","slug":"celestino-cine-surrealista-en-el-41-ficg","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/04\/14\/celestino-cine-surrealista-en-el-41-ficg\/","title":{"rendered":"\u201cCelestino\u201d, cine surrealista en el 41 FICG"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vWjdJPn-_sk?si=azypliJzYeSORUuG\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">La pel\u00edcula <\/span><b>\u201cCelestino\u201d<\/b><span style=\"font-weight: 400;\"> tendr\u00e1 su estreno mundial el 21 de abril en la 41 edici\u00f3n del Festival Internacional de Cine en Guadalajara (FICG).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Entre suspenso y surrealismo, la cinta aborda la espiritualidad, el nahualismo, la identidad sexual y la figura del intruso.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La pel\u00edcula retrata un pasaje durante el a\u00f1o sab\u00e1tico de Iv\u00e1n, un periodista extranjero. \u00c9l encuentra la cartera del escritor Celestino P\u00e9rez, y decide seguir su rastro hasta su casa en Tianguistengo.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1125 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_3_.webp\" alt=\"\" width=\"600\" height=\"380\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_3_.webp 600w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_3_-300x190.webp 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Hans Bryssinck, director belga quien reside en M\u00e9xico desde hace una d\u00e9cada, destaca en la cinta las experiencias y sensaciones que ha vivido en esta tierra.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">\u201cEn lugar de crear un misterio que resolver, busqu\u00e9 dar lugar a m\u00faltiples interpretaciones y mantener la incertidumbre hasta el final. Buscaba un tono que fuera retorcido y extra\u00f1o. Lo que aprend\u00ed del nahualismo es justamente que una persona al mismo tiempo puede ser otro ser, cuando el nahual est\u00e1 ah\u00ed metido\u201d, declar\u00f3 Bryssinck.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1123 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_4_.webp\" alt=\"\" width=\"598\" height=\"379\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_4_.webp 598w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_4_-300x190.webp 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Celestino cuenta con un equipo de producci\u00f3n de 80% por profesionales mexicanos y liderado por el productor belga Gert Verboven de Mountain View; con la actuaci\u00f3n protagonista de Jonathan Capdevielle (Thick and Thin, Jerk), la primera actriz Evangelina Mart\u00ednez, Martha Claudia Moreno (Distancias Cortas, 90 d\u00edas para el 2 de julio), Sandra Celed\u00f3n (Rosario Tijeras) y Kerygma Flores (reconocida voz de doblaje), logran un ensamble actoral destacado.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La pel\u00edcula compite en el <\/span><b>Premio Mezcal<\/b><span style=\"font-weight: 400;\">\u00a0 y se estrenar\u00e1 el 21 de abril en la Cineteca FICG, tambi\u00e9n podr\u00e1 verse el mi\u00e9rcoles 22 de abril en Cin\u00e9polis Centro Magno y el jueves 23 de abril en Cin\u00e9polis Galer\u00edas Guadalajara.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1124 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_2_.webp\" alt=\"\" width=\"600\" height=\"857\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_2_.webp 600w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_2_-210x300.webp 210w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La pel\u00edcula \u201cCelestino\u201d tendr\u00e1 su estreno mundial el 21 de abril en la 41 edici\u00f3n del Festival Internacional de Cine en Guadalajara (FICG). Entre suspenso y surrealismo, la cinta aborda la espiritualidad, el nahualismo, la identidad sexual y la figura del intruso.\u00a0 La pel\u00edcula retrata un pasaje durante el a\u00f1o sab\u00e1tico de Iv\u00e1n, un periodista [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-1122","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1122"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1122\/revisions"}],"predecessor-version":[{"id":1126,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1122\/revisions\/1126"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1122"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}