{"id":1134,"date":"2026-04-15T21:00:05","date_gmt":"2026-04-16T03:00:05","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1134"},"modified":"2026-04-15T21:03:53","modified_gmt":"2026-04-16T03:03:53","slug":"aqui-se-escucha-el-silencio-premiere-en-el-ficg","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/04\/15\/aqui-se-escucha-el-silencio-premiere-en-el-ficg\/","title":{"rendered":"Llega “Aqu\u00ed se escucha el silencio” al FICG"},"content":{"rendered":"

\"\"<\/p>\n

En <\/span>“Aqu\u00ed se escucha el silencio”<\/i><\/b>, Gabriela Pena emprende un viaje de regreso a sus ra\u00edces: Valpara\u00edso 50 a\u00f1os antes de que su familia huyera a Chile tras la captura y persecuci\u00f3n de su abuelo bajo el r\u00e9gimen de Pinochet.<\/span><\/p>\n

Producida por Grieta Cine y coproducida por Gabriela Sandoval (Cine Matriz) y Efthymia Zymvragaki (Gris Medio), la cinta se estrenar\u00e1 en el 41 Festival Internacional de Cine en Guadalajara (FICG), y participa en Competencia Documental Iberoamericano.<\/span><\/p>\n

En este filme, Gabriela Pena retrata el exilio, la dictadura y los silencios que su familia vivi\u00f3.\u00a0<\/span><\/p>\n

\u201cCrec\u00ed escuchando la historia de un pa\u00eds del que hubo que huir, de un abuelo que sobrevivi\u00f3 y de un hogar que qued\u00f3 atr\u00e1s. Con el tiempo entend\u00ed que una parte de mi madre estaba atrapada entre esas paredes, y que esa ausencia invisible marc\u00f3 la distancia entre nosotras. El nacimiento de nuestro hijo dio a la pel\u00edcula su sentido m\u00e1s claro: dentro de una historia marcada por lo que se transmite entre generaciones, fuimos testigos del comienzo de una cuarta, presente en cada imagen que compone la pel\u00edcula\u201d, expres\u00f3 Pena.<\/span><\/p>\n

\"\"<\/p>\n

Picho Garc\u00eda, quien funge como codirector y pareja de Gabriela, aporta una perspectiva que acompa\u00f1a sin pertenecer a ese linaje.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

En “Aqu\u00ed se escucha el silencio”, Gabriela Pena emprende un viaje de regreso a sus ra\u00edces: Valpara\u00edso 50 a\u00f1os antes de que su familia huyera a Chile tras la captura y persecuci\u00f3n de su abuelo bajo el r\u00e9gimen de Pinochet. Producida por Grieta Cine y coproducida por Gabriela Sandoval (Cine Matriz) y Efthymia Zymvragaki (Gris […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-1134","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1134"}],"version-history":[{"count":2,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1134\/revisions"}],"predecessor-version":[{"id":1138,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1134\/revisions\/1138"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1134"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}