{"id":1152,"date":"2026-04-16T20:12:46","date_gmt":"2026-04-17T02:12:46","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1152"},"modified":"2026-04-16T20:12:46","modified_gmt":"2026-04-17T02:12:46","slug":"va-el-corto-tu-y-yo-por-el-premio-hecho-en-jalisco-en-el-ficg","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/04\/16\/va-el-corto-tu-y-yo-por-el-premio-hecho-en-jalisco-en-el-ficg\/","title":{"rendered":"Va el corto \u201cT\u00fa y Yo\u201d por el &#8220;Premio Hecho en Jalisco&#8221; en el FICG"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1153 size-large\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_1_-2-1024x899.webp\" alt=\"\" width=\"1024\" height=\"899\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_1_-2-1024x899.webp 1024w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_1_-2-300x263.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_1_-2-768x674.webp 768w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_1_-2.webp 1388w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">El filme <\/span><b><i>\u201cT\u00fa y Yo\u201d,<\/i><\/b><span style=\"font-weight: 400;\"> protagonizado por Germ\u00e1n Bracco, llega a la 41 edici\u00f3n del Festival Internacional de Cine de Guadalajara, y compite para el <em><strong>Premio <\/strong><\/em><\/span><b><i>Hecho en Jalisco.<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400;\">El cortometraje mexicano, bajo la direcci\u00f3n de N\u00e9stor Orozco, nos presenta una road movie que explora las cicatrices emocionales de dos hermanos ante el vac\u00edo dejado por su padre.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Germ\u00e1n Bracco da vida a Tom\u00e1s, el hermano mayor, quien atestigua c\u00f3mo el peque\u00f1o Octavio, interpretado por Mateo Valles, resiente el abandono, acentuado luego de que su progenitor faltar\u00e1 en su cumplea\u00f1os. La din\u00e1mica se transforma al recibir una llamada de su pap\u00e1 (con la voz de Daniel Gim\u00e9nez Cacho), quien promete compensarlos con una escapada a la playa. Pese a saber que se trata de una promesa fr\u00e1gil, Tom\u00e1s accede a emprender el viaje por el bienestar de su hermano.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1155 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-5.webp\" alt=\"\" width=\"600\" height=\"588\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-5.webp 600w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-5-300x294.webp 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">\u201cEl cortometraje representa una exploraci\u00f3n del amor en sus distintas formas; de c\u00f3mo tiene el poder de movilizarnos, pero tambi\u00e9n de c\u00f3mo nos hiere cuando falta. Ante ese vac\u00edo, la historia muestra c\u00f3mo pueden nacer nuevos v\u00ednculos capaces de sostener la ausencia de un ser querido\u201d, coment\u00f3 el director.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La cinta es producida por Alex Brise\u00f1o, y cuenta con la co-producci\u00f3n de Amaury Vergara, productor cinematogr\u00e1fico y presidente de Las Chivas.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En la producci\u00f3n tambi\u00e9n participan Islandia, Cobrafilms, Rojo Cyan, Gal\u00e1pago, la Universidad de Guadalajara a trav\u00e9s del Departamento de Imagen y Sonido (DIS). Un proyecto realizado con el apoyo de FOCINE para la producci\u00f3n y post producci\u00f3n.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Fechas en las que se podr\u00e1 ver el cortometraje:\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">18 de abril: Cineforo<\/span><\/p>\n<p><span style=\"font-weight: 400;\">19 de abril: Cin\u00e9polis Centro Magno<\/span><\/p>\n<p><span style=\"font-weight: 400;\">20 de abril: Cin\u00e9polis Galer\u00edas<\/span><\/p>\n<p><span style=\"font-weight: 400;\">21 de abril: Cin\u00e9polis Punto Sur<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1154 size-large\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed_1-1024x667.webp\" alt=\"\" width=\"1024\" height=\"667\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed_1-1024x667.webp 1024w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed_1-300x195.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed_1-768x500.webp 768w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed_1.webp 1112w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El filme \u201cT\u00fa y Yo\u201d, protagonizado por Germ\u00e1n Bracco, llega a la 41 edici\u00f3n del Festival Internacional de Cine de Guadalajara, y compite para el Premio Hecho en Jalisco. El cortometraje mexicano, bajo la direcci\u00f3n de N\u00e9stor Orozco, nos presenta una road movie que explora las cicatrices emocionales de dos hermanos ante el vac\u00edo dejado [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"columnista":[],"class_list":["post-1152","post","type-post","status-publish","format-standard","hentry","category-nacion"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1152"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1152\/revisions"}],"predecessor-version":[{"id":1156,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1152\/revisions\/1156"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1152"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}