{"id":1180,"date":"2026-04-19T20:33:12","date_gmt":"2026-04-20T02:33:12","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1180"},"modified":"2026-04-19T20:41:46","modified_gmt":"2026-04-20T02:41:46","slug":"1974-corto-sobre-la-soledad-y-los-recuerdos-en-el-ficg","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/04\/19\/1974-corto-sobre-la-soledad-y-los-recuerdos-en-el-ficg\/","title":{"rendered":"&#8220;1974&#8221;, corto sobre la soledad y los recuerdos en el FICG"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1181 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_5_.webp\" alt=\"\" width=\"600\" height=\"340\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_5_.webp 600w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_5_-300x170.webp 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">El cineasta Jos\u00e9 Esteban Pavlovich presenta su m\u00e1s reciente cortometraje: <\/span><b><i>&#8220;1974&#8221;<\/i><\/b><span style=\"font-weight: 400;\">, el cual tendr\u00e1 su estreno oficial en la Competencia Iberoamericana de Cortometraje dentro de la 41 edici\u00f3n del Festival Internacional de Cine en Guadalajara (FICG).\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La cinta explora la memoria como un espacio vivo donde el pasado se habita m\u00e1s que recordarse; un pasado que permanece latente en el presente.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&#8220;Es un relato sobre la soledad, la espera y la memoria herida desangr\u00e1ndose en el tiempo&#8221;, se\u00f1al\u00f3 Pavlovich.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La historia se centra en Aurelia, quien regresa al deteriorado hotel junto al mar donde sol\u00eda vacacionar con su familia en la d\u00e9cada de 1970. Medio siglo despu\u00e9s, el lugar se convierte en el escenario donde debe enfrentarse al eco de su nombre. Este viaje hacia el silencio y la ausencia cobra vida a trav\u00e9s de la interpretaci\u00f3n de la primera actriz Rosa Mar\u00eda Bianchi.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1182 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_6_.webp\" alt=\"\" width=\"598\" height=\"333\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_6_.webp 598w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/unnamed-_6_-300x167.webp 300w\" sizes=\"auto, (max-width: 598px) 100vw, 598px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">El cortometraje, producido con el apoyo de IMCINE, tiende hacia una sensibilidad \u00edntima y femenina, y construye una atm\u00f3sfera donde lo visual y lo emocional se entrelazan para hablar de los lazos familiares y del peso de lo que nunca se puede abandonar.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El cineasta Jos\u00e9 Esteban Pavlovich presenta su m\u00e1s reciente cortometraje: &#8220;1974&#8221;, el cual tendr\u00e1 su estreno oficial en la Competencia Iberoamericana de Cortometraje dentro de la 41 edici\u00f3n del Festival Internacional de Cine en Guadalajara (FICG).\u00a0 La cinta explora la memoria como un espacio vivo donde el pasado se habita m\u00e1s que recordarse; un pasado [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-1180","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1180","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1180"}],"version-history":[{"count":2,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1180\/revisions"}],"predecessor-version":[{"id":1184,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1180\/revisions\/1184"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1180"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1180"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1180"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1180"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}