{"id":1201,"date":"2026-04-25T15:24:14","date_gmt":"2026-04-25T21:24:14","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1201"},"modified":"2026-04-25T15:24:14","modified_gmt":"2026-04-25T21:24:14","slug":"o-ultimo-azul-un-viaje-hacia-la-libertad-7-de-mayo","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/04\/25\/o-ultimo-azul-un-viaje-hacia-la-libertad-7-de-mayo\/","title":{"rendered":"\u201c O \u00daltimo Azul\u201d, un viaje hacia la libertad: 7 de mayo"},"content":{"rendered":"

\"\"<\/p>\n

\u201c O \u00daltimo Azul\u201d<\/i><\/b> se estrenar\u00e1 el pr\u00f3ximo 7 de mayo en cines mexicanos. Dirigida por Gabriel Mascaro, esta cinta es una historia de la transici\u00f3n a la vejez, y adem\u00e1s cr\u00edtica las \u00f3rdenes gubernamentales que oprimen a la gente bajo una falsa apariencia de supuesta ayuda.<\/span><\/p>\n

Esta coproducci\u00f3n entre Brasil, M\u00e9xico, Pa\u00edses Bajos y Chile hace que el espectador sea parte del viaje de autodescubrimiento y b\u00fasqueda por la libertad de Tereza, interpretada por Denise Weinberg, quien vive en una ciudad industrializada y recibe, al igual que muchas personas de su edad, un mandato oficial del gobierno para residir en una colonia de viviendas obligatorias donde se supone que los ancianos estar\u00e1n mejor durante sus \u00faltimos a\u00f1os de vida.<\/span><\/p>\n

Neg\u00e1ndose a que le impongan c\u00f3mo debe vivir y decidida a que seguir\u00e1 haci\u00e9ndolo a su manera, Tereza desobedece las imposiciones de su gobierno para embarcarse en la profundidad del Amazonas.<\/span><\/p>\n

\"\"<\/p>\n

\u201cInterpretar a Tereza fue un regalo para m\u00ed tanto a nivel personal como profesional, Tereza simboliza la fuerza y la autonom\u00eda de una anciana que redefine su vida persiguiendo sus deseos con gran curiosidad, firmeza y fortaleza para afrontar las dificultades que se le presentan\u201d,\u00a0 dijo Weinberg.<\/span><\/p>\n

\u201cO \u00daltimo Azul\u201d<\/i><\/b> muestra que a veces el final de la vida puede convertirse en realidad en el principio de una nueva, mientras profundiza en los efectos del edadismo y la obsesi\u00f3n por la productividad, donde los ancianos son considerados una carga.<\/span><\/p>\n

La pel\u00edcula fue ganadora del Oso de Plata (Gran Premio del Jurado) del Festival Internacional de Cine de Berl\u00edn y el Premio al Mejor Largometraje Iberoamericano de Ficci\u00f3n en el Festival Internacional de Cine en Guadalajara (FICG).<\/span><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

\u201c O \u00daltimo Azul\u201d se estrenar\u00e1 el pr\u00f3ximo 7 de mayo en cines mexicanos. Dirigida por Gabriel Mascaro, esta cinta es una historia de la transici\u00f3n a la vejez, y adem\u00e1s cr\u00edtica las \u00f3rdenes gubernamentales que oprimen a la gente bajo una falsa apariencia de supuesta ayuda. Esta coproducci\u00f3n entre Brasil, M\u00e9xico, Pa\u00edses Bajos y […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-1201","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1201"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1201\/revisions"}],"predecessor-version":[{"id":1205,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1201\/revisions\/1205"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1201"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1201"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1201"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}