{"id":1206,"date":"2026-04-25T20:35:31","date_gmt":"2026-04-26T02:35:31","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1206"},"modified":"2026-04-25T20:36:33","modified_gmt":"2026-04-26T02:36:33","slug":"llega-poetica-del-paisaje-a-guanajuato","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/04\/25\/llega-poetica-del-paisaje-a-guanajuato\/","title":{"rendered":"Llega \u201cPo\u00e9tica del paisaje\u201d a Guanajuato"},"content":{"rendered":"<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1207 size-large\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-ezequiel_negrete_lira_xochimilco-1024x856.webp\" alt=\"\" width=\"1024\" height=\"856\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-ezequiel_negrete_lira_xochimilco-1024x856.webp 1024w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-ezequiel_negrete_lira_xochimilco-300x251.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-ezequiel_negrete_lira_xochimilco-768x642.webp 768w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-ezequiel_negrete_lira_xochimilco-1536x1284.webp 1536w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-ezequiel_negrete_lira_xochimilco-2048x1712.webp 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/span><\/p>\n<p><span style=\"font-weight: 400;\">Llega la exposici\u00f3n \u201cPo\u00e9tica del paisaje\u201d en el Museo Casa Diego Rivera, en Guanajuato, la cual marca una nueva etapa en la itinerancia de la muestra, tras su paso por Tabasco.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Con 50 obras, la exhibici\u00f3n establece un di\u00e1logo entre piezas del acervo del MUNAL y obras vinculadas a la colecci\u00f3n del poeta Carlos Pellicer, lo que propone un recorrido en torno al paisaje como representaci\u00f3n art\u00edstica y construcci\u00f3n sensible del entorno.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1208 size-large\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-juan_ogorman_recuerdo_de_los_remedios-1024x661.webp\" alt=\"\" width=\"1024\" height=\"661\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-juan_ogorman_recuerdo_de_los_remedios-1024x661.webp 1024w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-juan_ogorman_recuerdo_de_los_remedios-300x194.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-juan_ogorman_recuerdo_de_los_remedios-768x495.webp 768w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-juan_ogorman_recuerdo_de_los_remedios-1536x991.webp 1536w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/04\/23721-GAL-juan_ogorman_recuerdo_de_los_remedios-2048x1321.webp 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">El recorrido se organiza en cuatro ejes: Del campo a la ciudad, Valles y monta\u00f1as, Sobre las olas y S\u00edntesis y abstracci\u00f3n. A trav\u00e9s de estos n\u00facleos, el p\u00fablico podr\u00e1 transitar por distintas aproximaciones al territorio: desde escenas rurales y urbanas, hasta propuestas orientadas hacia lo sensorial y la abstracci\u00f3n.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Entre las obras reunidas destacan piezas de Jos\u00e9 Mar\u00eda Velasco, Gerardo Murillo, Tina Modotti y Juan O&#8217;Gorman, entre otros creadores, y propone una reflexi\u00f3n sobre la relaci\u00f3n entre naturaleza, cultura y memoria.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La exposici\u00f3n podr\u00e1 visitarse hasta el 30 de agosto de 2026 en el Museo Casa Diego Rivera, ubicado en Positos 47, Zona Centro, Guanajuato, Guanajuato.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Llega la exposici\u00f3n \u201cPo\u00e9tica del paisaje\u201d en el Museo Casa Diego Rivera, en Guanajuato, la cual marca una nueva etapa en la itinerancia de la muestra, tras su paso por Tabasco. Con 50 obras, la exhibici\u00f3n establece un di\u00e1logo entre piezas del acervo del MUNAL y obras vinculadas a la colecci\u00f3n del poeta Carlos Pellicer, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-1206","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1206","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1206"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1206\/revisions"}],"predecessor-version":[{"id":1210,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1206\/revisions\/1210"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1206"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1206"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1206"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1206"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}