{"id":1277,"date":"2026-05-05T20:24:14","date_gmt":"2026-05-06T02:24:14","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1277"},"modified":"2026-05-05T20:24:14","modified_gmt":"2026-05-06T02:24:14","slug":"del-arte-a-la-botanica-el-jardin-de-velasco","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/05\/05\/del-arte-a-la-botanica-el-jardin-de-velasco\/","title":{"rendered":"Del arte a la bot\u00e1nica: \u201cEl Jard\u00edn de Velasco\u201d"},"content":{"rendered":"

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Se inaugur\u00f3 \u201cEl Jard\u00edn de Velasco\u201d en la Galer\u00eda Abierta \u201cJard\u00edn Bot\u00e1nico\u201d en el Bosque de Chapultepec, CDMX,\u00a0<\/span><\/p>\n

En esta exposici\u00f3n se rinde homenaje a Jos\u00e9 Mar\u00eda Velasco, quien destac\u00f3 por su relevancia art\u00edstica y su labor como cient\u00edfico, bot\u00e1nico y naturalista del siglo XIX.<\/span><\/p>\n

A trav\u00e9s de 29 piezas en gran formato, el p\u00fablico podr\u00e1 adentrarse en una propuesta visual que concibe el paisaje como un sistema vivo, donde la observaci\u00f3n cient\u00edfica y la sensibilidad art\u00edstica se entrelazan.\u00a0<\/span><\/p>\n

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La propuesta permite reconocer a Velasco como un observador profundo de la naturaleza, capaz de integrar conocimiento cient\u00edfico y sensibilidad est\u00e9tica en su obra. Su formaci\u00f3n acad\u00e9mica y su curiosidad intelectual lo llevaron a encabezar en 1869 la publicaci\u00f3n Flora del Valle de M\u00e9xico, su estudio bot\u00e1nico m\u00e1s ambicioso.<\/span><\/p>\n

Entre las piezas destacadas se encuentra una vista de la Alameda Central, una obra de particular inter\u00e9s hist\u00f3rico y t\u00e9cnico. En ella, el artista mexicano realiz\u00f3 un ejercicio de “edici\u00f3n” pict\u00f3rica al retirar visualmente algunos \u00e1rboles para permitir la visibilidad del entonces Paseo de la Emperatriz (hoy Paseo de la Reforma), lo que demuestra su capacidad para reconstruir el espacio urbano con fines narrativos y est\u00e9ticos.<\/span><\/p>\n

 <\/p>\n

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\u201cEl Jard\u00edn de Velasco\u201d permanecer\u00e1 abierto de manera gratuita las 24 horas del d\u00eda hasta el 31 de mayo.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Se inaugur\u00f3 \u201cEl Jard\u00edn de Velasco\u201d en la Galer\u00eda Abierta \u201cJard\u00edn Bot\u00e1nico\u201d en el Bosque de Chapultepec, CDMX,\u00a0 En esta exposici\u00f3n se rinde homenaje a Jos\u00e9 Mar\u00eda Velasco, quien destac\u00f3 por su relevancia art\u00edstica y su labor como cient\u00edfico, bot\u00e1nico y naturalista del siglo XIX. A trav\u00e9s de 29 piezas en gran formato, el p\u00fablico […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-1277","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1277","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1277"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1277\/revisions"}],"predecessor-version":[{"id":1281,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1277\/revisions\/1281"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1277"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1277"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1277"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1277"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}