{"id":1384,"date":"2026-05-19T22:05:19","date_gmt":"2026-05-20T04:05:19","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1384"},"modified":"2026-05-19T22:06:11","modified_gmt":"2026-05-20T04:06:11","slug":"inauguran-cuerpo-climatico-en-sala-de-arte-publico-siqueiros","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/05\/19\/inauguran-cuerpo-climatico-en-sala-de-arte-publico-siqueiros\/","title":{"rendered":"Inauguran \u201cCuerpo clim\u00e1tico\u201d en Sala de Arte P\u00fablico Siqueiros"},"content":{"rendered":"

\"\"<\/p>\n

El Instituto Nacional de Bellas Artes y Literatura (INBAL) inaugur\u00f3 en la Sala de Arte P\u00fablico Siqueiros (SAPS) \u201cCuerpo clim\u00e1tico\u201d, nuevo eje curatorial y de investigaci\u00f3n que orienta las actividades de la SAPS y La Tallera durante 2026 y 2027, a trav\u00e9s de exposiciones y proyectos contempor\u00e1neos que dialogan con el legado art\u00edstico y pol\u00edtico de David Alfaro Siqueiros.<\/span><\/p>\n

\u201cCuerpo clim\u00e1tico\u201d toma como punto de partida el legado de Siqueiros para proyectarlo hacia cuestionamientos contempor\u00e1neos relacionados con el deterioro ambiental, las tensiones territoriales y la relaci\u00f3n entre cuerpo, materia y espacio p\u00fablico.<\/span><\/p>\n

\"\"<\/p>\n

Una de las exposiciones es \u201cFloresta\u201d, muestra colectiva que re\u00fane a doce artistas contempor\u00e1neos y revisa la idea de lo \u201ctropical\u201d como una construcci\u00f3n vinculada al exotismo, la colonizaci\u00f3n y la explotaci\u00f3n del paisaje.\u00a0<\/span><\/p>\n

El artista Rafiki S\u00e1nchez presenta \u201cDespu\u00e9s del lodo, la poes\u00eda de una larva\u201d, proyecto curado por Violeta Celis que explora procesos de transformaci\u00f3n corporal y memoria material mediante vestidos escult\u00f3ricos elaborados con residuos industriales y materiales end\u00e9micos de Yucat\u00e1n.<\/span><\/p>\n

La muestra forma parte de una serie de gabinetes documentales concebidos para acercar al p\u00fablico al acervo fotogr\u00e1fico y hemerogr\u00e1fico del artista, as\u00ed como a sus procesos de experimentaci\u00f3n t\u00e9cnica y visual.<\/span><\/p>\n

La Sala de Arte P\u00fablico Siqueiros est\u00e1 en Tres Picos 29, colonia Polanco, Ciudad de M\u00e9xico.<\/span><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

El Instituto Nacional de Bellas Artes y Literatura (INBAL) inaugur\u00f3 en la Sala de Arte P\u00fablico Siqueiros (SAPS) \u201cCuerpo clim\u00e1tico\u201d, nuevo eje curatorial y de investigaci\u00f3n que orienta las actividades de la SAPS y La Tallera durante 2026 y 2027, a trav\u00e9s de exposiciones y proyectos contempor\u00e1neos que dialogan con el legado art\u00edstico y pol\u00edtico […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-1384","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1384"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1384\/revisions"}],"predecessor-version":[{"id":1388,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1384\/revisions\/1388"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1384"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1384"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1384"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}