{"id":1434,"date":"2026-05-28T16:02:16","date_gmt":"2026-05-28T22:02:16","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1434"},"modified":"2026-05-28T16:02:16","modified_gmt":"2026-05-28T22:02:16","slug":"inauguran-la-ciudad-de-los-cuatro-mundiales-en-cdmx","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/05\/28\/inauguran-la-ciudad-de-los-cuatro-mundiales-en-cdmx\/","title":{"rendered":"Inauguran \u201cLa Ciudad de los cuatro mundiales\u201d en CDMX"},"content":{"rendered":"

\"\"<\/p>\n

La exposici\u00f3n \u201cLa Ciudad de los cuatro mundiales\u201d fue inaugurada en el \u00c1gora, Galer\u00eda del Pueblo, con una muestra integrada por 40 piezas fotogr\u00e1ficas y un audiovisual que exploran distintos momentos en los que la Ciudad de M\u00e9xico se convirti\u00f3 en escenario de una de las celebraciones deportivas m\u00e1s importantes del mundo.<\/span><\/p>\n

Luis Fernando Tolentino Parrilla, curador de la exposici\u00f3n, explic\u00f3 que el proyecto surgi\u00f3 a partir de un proceso de investigaci\u00f3n documental y trabajo colectivo, con el prop\u00f3sito de reconstruir la memoria mundialista de la capital a trav\u00e9s de archivos, im\u00e1genes y escenas de la vida cotidiana.<\/span><\/p>\n

\u201cSiempre he dicho que los proyectos se concretan gracias a dos cosas: la voluntad y la investigaci\u00f3n. En este caso tuvimos ambas. Quer\u00edamos mostrar que el Mundial no solo se vive dentro del estadio, tambi\u00e9n en las calles, con la afici\u00f3n y en el d\u00eda a d\u00eda de la ciudad\u201d, se\u00f1al\u00f3.<\/span><\/p>\n

M\u00e9xico es el \u00fanico pa\u00eds que ha sido sede de tres Copas del Mundo masculinas de la FIFA (1970, 1986) y pr\u00f3ximamente 2026, adem\u00e1s de haber albergado el Campeonato Mundial Femenil de 1971.<\/span><\/p>\n

La exposici\u00f3n se divide en cuatro ejes: \u201cEl Mundial de O\u2019Rei Pel\u00e9\u201d, dedicado a M\u00e9xico 70; \u201cTan cerca del cielo\u201d, centrado en el Mundial Femenil de 1971; \u201cEl Barrilete C\u00f3smico\u201d, de la Copa del Mundo de 1986; y \u201cUnidad y alegr\u00eda en la m\u00e1xima fiesta del f\u00fatbol\u201d, apartado al Mundial de 2026, el cual incorporar\u00e1 nuevas fotograf\u00edas y materiales conforme avance la justa.<\/span><\/p>\n

Entre las piezas exhibidas destacan s\u00edmbolos que forman parte de la memoria colectiva como X\u00f3chitl, imagen del Mundial Femenil de 1971, y Pico, la mascota descartada del Mundial de 1970.\u00a0<\/span><\/p>\n

Uno de los apartados m\u00e1s relevantes es la recuperaci\u00f3n hist\u00f3rica del Mundial Femenil de 1971, torneo organizado de manera independiente y protagonizado por mujeres que enfrentaron obst\u00e1culos sociales, econ\u00f3micos y medi\u00e1ticos para poder jugar.<\/span><\/p>\n

\"\"<\/p>\n

\u201cLa Ciudad de los cuatro mundiales\u201d permanecer\u00e1 abierta al p\u00fablico de manera gratuita hasta el 5 de octubre en el \u00c1gora, Galer\u00eda del Pueblo, ubicada dentro del Antiguo Palacio del Ayuntamiento, en Plaza de la Constituci\u00f3n No. 2, Centro Hist\u00f3rico, alcald\u00eda Cuauht\u00e9moc.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La exposici\u00f3n \u201cLa Ciudad de los cuatro mundiales\u201d fue inaugurada en el \u00c1gora, Galer\u00eda del Pueblo, con una muestra integrada por 40 piezas fotogr\u00e1ficas y un audiovisual que exploran distintos momentos en los que la Ciudad de M\u00e9xico se convirti\u00f3 en escenario de una de las celebraciones deportivas m\u00e1s importantes del mundo. Luis Fernando Tolentino […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-1434","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1434","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1434"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1434\/revisions"}],"predecessor-version":[{"id":1437,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1434\/revisions\/1437"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1434"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1434"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1434"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1434"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}