{"id":1509,"date":"2026-06-10T00:13:36","date_gmt":"2026-06-10T06:13:36","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1509"},"modified":"2026-06-10T00:17:02","modified_gmt":"2026-06-10T06:17:02","slug":"llega-frida-kahlo-al-jardin-flotante-tlallipan","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/06\/10\/llega-frida-kahlo-al-jardin-flotante-tlallipan\/","title":{"rendered":"Llega Frida Kahlo al Jard\u00edn Flotante Tlallipan"},"content":{"rendered":"

\"\"<\/p>\n

El Jard\u00edn Flotante Tlallipan present\u00f3 un espect\u00e1culo de videomappings inspirados en la vida y obra de Frida Kahlo, y de Diego Rivera y Jos\u00e9 Clemente Orozco, Tina Modotii y David Alfaro Siqueiros.<\/span><\/p>\n

La primera cinta \u201cMuralismo Mexicano. El arte que lo cambi\u00f3 todo\u201d, relata la influencia del muralismo en nuestro pa\u00eds a partir de su nacimiento en la d\u00e9cada de los 20, y llevar el arte a las calles y hacer del pueblo, los campesinos y las comunidades los protagonistas de las obras.\u00a0<\/span><\/p>\n

La muestra proyecta el video \u201cFrida Kahlo. Me pinto, luego existo\u201d, que recorre algunas de sus obras m\u00e1s reconocidas, entre ellas \u201cMi nana y yo\u201d, \u201cAutorretrato con collar de espinas\u201d, \u201cFrida y Diego\u201d, \u201cEl abrazo de amor del universo\u201d y \u201cLas dos Fridas\u201d.\u00a0<\/span><\/p>\n

Las proyecciones concluyen con un homenaje a la Ciudad de M\u00e9xico, con distintas frases e identidades que retratan nuestra cultura. Entre ellas se encuentra \u201cCapital que invent\u00f3 el taco al pastor\u201d, \u201cCiudad de los derechos\u201d, \u201cCiudad que lucha por la igualdad de g\u00e9nero\u201d, \u201cCiudad de la juventud\u201d, \u201cCiudad rebelde\u201d y \u201cCiudad diversa y democr\u00e1tica\u201d.\u00a0<\/span><\/p>\n

Las proyecciones se seguir\u00e1n reproduciendo todos los d\u00edas a partir de las 19:30 horas durante las pr\u00f3ximas dos semanas en el Jard\u00edn Flotante Tlallipan, a la altura del Metro Pino Su\u00e1rez. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

El Jard\u00edn Flotante Tlallipan present\u00f3 un espect\u00e1culo de videomappings inspirados en la vida y obra de Frida Kahlo, y de Diego Rivera y Jos\u00e9 Clemente Orozco, Tina Modotii y David Alfaro Siqueiros. La primera cinta \u201cMuralismo Mexicano. El arte que lo cambi\u00f3 todo\u201d, relata la influencia del muralismo en nuestro pa\u00eds a partir de su […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"columnista":[],"class_list":["post-1509","post","type-post","status-publish","format-standard","hentry","category-nacion"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1509"}],"version-history":[{"count":2,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1509\/revisions"}],"predecessor-version":[{"id":1512,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1509\/revisions\/1512"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1509"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}