{"id":1742,"date":"2026-07-24T18:40:05","date_gmt":"2026-07-25T00:40:05","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1742"},"modified":"2026-07-24T18:40:05","modified_gmt":"2026-07-25T00:40:05","slug":"tijuana-todavia-en-el-festival-internacional-de-cine-de-venecia","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/07\/24\/tijuana-todavia-en-el-festival-internacional-de-cine-de-venecia\/","title":{"rendered":"TIJUANA, TODAV\u00cdA, en el Festival Internacional de Cine de Venecia"},"content":{"rendered":"

\"\"<\/p>\n

La pel\u00edcula mexicana TIJUANA, TODAV\u00cdA se proyectar\u00e1 en la 83 edici\u00f3n del Festival Internacional de Cine de Venecia, tras ser seleccionado, desarrollado y producido durante la decimocuarta edici\u00f3n (2025\u20132026) de Biennale College Cinema.<\/span><\/p>\n

Creado por el Festival de Venecia en 2012, Biennale College Cinema es un laboratorio internacional de formaci\u00f3n avanzada que promueve la producci\u00f3n de largometrajes de bajo presupuesto de cineastas de todo el mundo. La cinta mexicana se consolida en la selecci\u00f3n oficial tras haber obtenido un apoyo financiero de \u20ac200,000.00 euros otorgado directamente por La Biennale di Venezia.<\/span><\/p>\n

TIJUANA, TODAV\u00cdA surge desde las vivencias del director como inmigrante queer, y propone un territorio para el cine LGBTIQ+ hecho en M\u00e9xico que busca mirar las heridas compartidas desde la transformaci\u00f3n y no solo desde el trauma.<\/span><\/p>\n

Chava (Humberto Busto), un hombre a punto de cumplir cincuenta a\u00f1os que canta en un coro gay y trabaja en un autolavado familiar conoce a Maksim (Petr Filimonov) es un joven queer que ha huido de San Petersburgo para evitar ser reclutado en la guerra de Ucrania y que aguarda pacientemente su solicitud de asilo en un albergue de Playas de Tijuana.<\/span><\/p>\n

Cuando las pol\u00edticas migratorias cambian y las citas internacionales se cancelan, Maksim queda abandonado a su suerte y decide encontrarse fuera de l\u00ednea con Chava. Al confrontar su v\u00ednculo en el mundo real, la relaci\u00f3n entre ambos deber\u00e1 hacer frente a los fantasmas del exilio y a los desaf\u00edos de construir un hogar dentro de un territorio tan dividido como sus propios deseos.<\/span><\/p>\n

“Nunca en mi vida hab\u00eda sentido tanta emoci\u00f3n al presentar un proyecto. Llegar a la proyecci\u00f3n de esta pel\u00edcula en Venecia es el resultado de un a\u00f1o intenso de labor creativa junto al director Gabriel Guti\u00e9rrez Morales, de la mano de toda la gente de Tijuana, del equipo t\u00e9cnico y del colectivo LGBT+ que se sum\u00f3 a este esfuerzo. Representa la posibilidad de compartir con el mundo nuestro punto de vista, la forma en que nos vemos, c\u00f3mo queremos ser representados y las problem\u00e1ticas actuales que nos mueven y nos preocupan, con las cuales queremos entablar un di\u00e1logo. Estar aqu\u00ed es un privilegio, un honor y una celebraci\u00f3n enorme a tanto trabajo”, coment\u00f3 Humberto Busto. <\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La pel\u00edcula mexicana TIJUANA, TODAV\u00cdA se proyectar\u00e1 en la 83 edici\u00f3n del Festival Internacional de Cine de Venecia, tras ser seleccionado, desarrollado y producido durante la decimocuarta edici\u00f3n (2025\u20132026) de Biennale College Cinema. Creado por el Festival de Venecia en 2012, Biennale College Cinema es un laboratorio internacional de formaci\u00f3n avanzada que promueve la producci\u00f3n […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-1742","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1742","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1742"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1742\/revisions"}],"predecessor-version":[{"id":1744,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1742\/revisions\/1744"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1742"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1742"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1742"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1742"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}