{"id":1810,"date":"2026-08-05T00:26:14","date_gmt":"2026-08-05T06:26:14","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1810"},"modified":"2026-08-05T00:26:14","modified_gmt":"2026-08-05T06:26:14","slug":"conoce-a-los-ganadores-del-giff-2026","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/08\/05\/conoce-a-los-ganadores-del-giff-2026\/","title":{"rendered":"Conoce a los ganadores del GIFF 2026"},"content":{"rendered":"

\"\"<\/p>\n

El Festival Internacional de Cine Guanajuato (GIFF) se despidi\u00f3 de una edici\u00f3n m\u00e1s, marcada por las sonrisas, la alegr\u00eda, los abrazos y los emotivos homenajes.<\/span><\/p>\n

A lo largo de estos d\u00edas, el p\u00fablico disfrut\u00f3 de 203 pel\u00edculas provenientes de 55 pa\u00edses, en una programaci\u00f3n que reflej\u00f3 el talento, la diversidad y la pasi\u00f3n de cineastas de todo el mundo. Con este cierre, lleg\u00f3 el momento de reconocer la excelencia cinematogr\u00e1fica y celebrar a las producciones ganadoras.\u00a0<\/span><\/p>\n

PREMIO DE INCUBADORA\u00a0<\/span><\/p>\n

Premio otorgado por LCI seguros para: Las insuficiencias, de Clemen Villamizar Acosta y Mar\u00eda Aurora Villamizar Acosta.\u00a0<\/span><\/p>\n

CONCURSO DE GUI\u00d3N\u00a0<\/span><\/p>\n

Mejor Gui\u00f3n de Cortometraje: Los tipos duros no bailan, de Samuel Abraham Segura Moreno e Iv\u00e1n Rodrigo Mart\u00ednez Lomel\u00ed.\u00a0<\/span><\/p>\n

Menci\u00f3n especial: 2005, de Humberto Alejandro Flores Jauregui.\u00a0<\/span><\/p>\n

Mejor Gui\u00f3n de Largometraje: Tierra \u00e1cida, de Rafael Macazaga Lor\u00eda y Jos\u00e9 Manuel Mijares Torres.\u00a0<\/span><\/p>\n

16\u00b0 CONCURSO DE DOCUMENTAL UNIVERSITARIO IDENTIDAD Y PERTENENCIA\u00a0<\/span><\/p>\n

Primer lugar: Camioneros, de Odett Mu\u00f1oz G\u00f3mez (Universidad EPCA)\u00a0<\/span><\/p>\n

Segundo lugar: Fuertes como roca, de Enrique Arturo Rubio Vel\u00e1zquez (Universidad Meridiano)\u00a0<\/span><\/p>\n

Menci\u00f3n especial: La herencia que somos, de Michel Dur\u00e1n (Universidad de Guanajuato, Campus DICIS)<\/span><\/p>\n

17\u00b0 RALLY UNIVERSITARIO\u00a0<\/span><\/p>\n

Premio del jurado: Tirka, de Christian Frausto (Escuela Nacional de Estudios Superiores Unidad Morelia UNAM, ENES Morelia)\u00a0<\/span><\/p>\n

Menci\u00f3n honor\u00edfica: Procesi\u00f3n, de Mariana De Anda (Universidad Aut\u00f3noma de Aguascalientes)\u00a0<\/span><\/p>\n

PREMIO DE LA PRENSA\u00a0<\/span><\/p>\n

Ganador: Para que no se te olvide, de Marcela Jabes\u00a0<\/span><\/p>\n

SELECCI\u00d3N OFICIAL COMPETENCIA XR (REALIDAD EXTENDIDA)\u00a0<\/span><\/p>\n

Mejor narrativa: Less Than 5GR of Saffron, de N\u00e9gar Motevalymeidanshah.\u00a0<\/span><\/p>\n

Mejor Experiencia de Realidad Virtual: Out of Nowhere, de Kris Hofmann.\u00a0<\/span><\/p>\n

Menci\u00f3n especial: Happy Shadow, de Pei-Ying Lin.\u00a0<\/span><\/p>\n

CORTOMETRAJE GUANAJUATO\u00a0<\/span><\/p>\n

Ganador: La Virgen de Guadalupe, de Viridiana Moreno Garc\u00eda.\u00a0<\/span><\/p>\n

Premio especial: El retorno del hijo pr\u00f3digo, de Adri\u00e1n Arriola N\u00fa\u00f1ez.\u00a0<\/span><\/p>\n

CORTOMETRAJE MEXICANO DE FICCI\u00d3N\u00a0<\/span><\/p>\n

Ganador: Pari\u00f3 la cochi, de Fernando Rebeil.\u00a0<\/span><\/p>\n

CORTOMETRAJE MEXICANO DOCUMENTAL \/ NO FICCI\u00d3N\u00a0<\/span><\/p>\n

Ganador: I Used To Call That Man Home, de Melissa Nocetti.\u00a0<\/span><\/p>\n

Menci\u00f3n especial: M\u00e1s all\u00e1 de la piel, de Arturo de Ita Sosa.\u00a0<\/span><\/p>\n

Premio especial de postproducci\u00f3n: para Juan Daniel Trujillo.<\/span><\/p>\n

CORTOMETRAJE ANIMACI\u00d3N\u00a0<\/span><\/p>\n

Ganador: Tears, de Paulina Ziolkowska.\u00a0<\/span><\/p>\n

Menci\u00f3n especial: Parada\u00efz, de Matea Radic.\u00a0<\/span><\/p>\n

CORTOMETRAJE INTERNACIONAL DE FICCI\u00d3N\u00a0<\/span><\/p>\n

Ganador: Anatom\u00eda de un retrato, de Juan Felipe Le\u00f3n.\u00a0<\/span><\/p>\n

Menci\u00f3n especial: Like Moths to Light, de Gala Hern\u00e1ndez L\u00f3pez.\u00a0<\/span><\/p>\n

CORTOMETRAJE INTERNACIONAL DOCUMENTAL \/ NO FICCI\u00d3N\u00a0<\/span><\/p>\n

Ganador: Slet 1988, de Marta Popivoda.\u00a0<\/span><\/p>\n

LARGOMETRAJE DOCUMENTAL \/ NO FICCI\u00d3N INTERNACIONAL\u00a0<\/span><\/p>\n

Ganador: Past Future Continuous, de Morteza Ahmadvand y Firouzeh Khosrovani. Menci\u00f3n especial: Better Go Mad In The Wild, de Miro Remo.\u00a0<\/span><\/p>\n

LARGOMETRAJE DE FICCI\u00d3N MEXICANO\u00a0<\/span><\/p>\n

Ganador: Las L\u00e1grimas de Bael, de Hugo Villase\u00f1or.\u00a0<\/span><\/p>\n

LARGOMETRAJE DOCUMENTAL \/ NO FICCI\u00d3N MEXICANO\u00a0<\/span><\/p>\n

Ganador: Nuestro cuerpo es una estrella que se expande, de Tania Hern\u00e1ndez Velasco y Semilities Hern\u00e1ndez.\u00a0<\/span><\/p>\n

LARGOMETRAJE INTERNACIONAL IRIDISCENCIA\u00a0<\/span><\/p>\n

Ganador: Chronovisor, de Jack Auen y Kevin Walker.\u00a0<\/span><\/p>\n

Menci\u00f3n especial: Dry Leaf, de Alexandre Koberidze.\u00a0<\/span><\/p>\n

LARGOMETRAJE GIFF PREMIERE\u00a0<\/span><\/p>\n

Ganador: Teenage Sex And Death at Camp Miasma, de Jane Schoenbrun.<\/span><\/p>\n

LARGOMETRAJE MAVERICKS Y LUMINARIAS\u00a0<\/span><\/p>\n

Ganador: Mare\u2019s Nest, de Ben Rivers.\u00a0<\/span><\/p>\n

Menci\u00f3n especial: L\u2019Aventura, de Sophie Letourneur.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

El Festival Internacional de Cine Guanajuato (GIFF) se despidi\u00f3 de una edici\u00f3n m\u00e1s, marcada por las sonrisas, la alegr\u00eda, los abrazos y los emotivos homenajes. A lo largo de estos d\u00edas, el p\u00fablico disfrut\u00f3 de 203 pel\u00edculas provenientes de 55 pa\u00edses, en una programaci\u00f3n que reflej\u00f3 el talento, la diversidad y la pasi\u00f3n de cineastas […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-1810","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1810","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1810"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1810\/revisions"}],"predecessor-version":[{"id":1812,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1810\/revisions\/1812"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1810"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1810"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1810"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1810"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}