{"id":1836,"date":"2026-08-12T22:11:51","date_gmt":"2026-08-13T04:11:51","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1836"},"modified":"2026-08-12T22:11:51","modified_gmt":"2026-08-13T04:11:51","slug":"imax-el-favorito-y-mas-costoso-en-el-cine-un-reto-para-la-odisea","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/08\/12\/imax-el-favorito-y-mas-costoso-en-el-cine-un-reto-para-la-odisea\/","title":{"rendered":"IMAX, el favorito y m\u00e1s costoso en el cine; un reto para “La Odisea”"},"content":{"rendered":"

\"\"<\/p>\n

El formato IMAX naci\u00f3 en 1967, cuando un grupo de cineastas canadienses desarroll\u00f3 un sistema de proyecci\u00f3n capaz de ofrecer im\u00e1genes de una escala y definici\u00f3n superiores a las del cine tradicional.<\/span><\/p>\n

Cuatro a\u00f1os despu\u00e9s, North of Superior (1971), documental sobre los paisajes del Lago Superior en Canad\u00e1, fue la primera producci\u00f3n filmada \u00edntegramente en IMAX.\u00a0<\/span><\/p>\n

El formato permaneci\u00f3 ligado durante d\u00e9cadas a documentales de naturaleza, ciencia y exploraci\u00f3n. La raz\u00f3n fue sencilla: filmar en IMAX siempre ha sido extremadamente caro, a diferencia del cine convencional, el sistema utiliza un negativo de 65 mm que se desplaza horizontalmente y ocupa 15 perforaciones por fotograma, tres veces m\u00e1s que el formato est\u00e1ndar de gran formato.\u00a0<\/span><\/p>\n

El resultado es una imagen con un nivel de detalle excepcional, pero tambi\u00e9n un consumo enorme de pel\u00edcula y una log\u00edstica compleja.\u00a0<\/span><\/p>\n

Spoiler.mx<\/span><\/a> hizo un an\u00e1lisis y una c\u00e1mara IMAX puede estar valuada entre 500 mil y un mill\u00f3n de d\u00f3lares, mientras que su alquiler semanal ronda entre 12 mil y 20 mil d\u00f3lares. A esto se suma el costo de la pel\u00edcula virgen y su procesamiento, estimado entre 2.40 y 4 d\u00f3lares por pie, una cifra que puede traducirse en millones de d\u00f3lares durante una producci\u00f3n de gran escala.<\/span><\/p>\n

En este contexto, \u201cLa Odisea\u201d de Christopher Nolan, se convirti\u00f3 en el primer largometraje de ficci\u00f3n filmado con c\u00e1maras IMAX de 70 mm, una decisi\u00f3n que requiri\u00f3 nuevas c\u00e1maras m\u00e1s silenciosas, una compleja log\u00edstica internacional y un enorme consumo de negativo.\u00a0<\/span><\/p>\n

De acuerdo con diversos reportes, la pel\u00edcula tuvo un presupuesto cercano a 250 millones de d\u00f3lares y utiliz\u00f3 m\u00e1s de dos millones de pies de pel\u00edcula, de los cuales aproximadamente tres millones de d\u00f3lares correspondieron \u00fanicamente al material fotosensible.<\/span><\/p>\n

A pesar de sus costos y limitaciones, IMAX es el est\u00e1ndar visual m\u00e1s ambicioso del cine. Su gigantesco negativo permite una imagen con mayor profundidad, claridad e inmersi\u00f3n, cualidades que Nolan considera imposible de replicar en otros formatos.<\/span><\/p>\n

Fotos: Especial<\/strong><\/em><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

El formato IMAX naci\u00f3 en 1967, cuando un grupo de cineastas canadienses desarroll\u00f3 un sistema de proyecci\u00f3n capaz de ofrecer im\u00e1genes de una escala y definici\u00f3n superiores a las del cine tradicional. Cuatro a\u00f1os despu\u00e9s, North of Superior (1971), documental sobre los paisajes del Lago Superior en Canad\u00e1, fue la primera producci\u00f3n filmada \u00edntegramente en […]<\/p>\n","protected":false},"author":2,"featured_media":1837,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[12,6],"tags":[],"columnista":[],"class_list":["post-1836","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-especiales","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1836","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1836"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1836\/revisions"}],"predecessor-version":[{"id":1839,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1836\/revisions\/1839"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media\/1837"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1836"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1836"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1836"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1836"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}