{"id":1855,"date":"2026-08-21T17:09:11","date_gmt":"2026-08-21T23:09:11","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=1855"},"modified":"2026-08-21T17:09:11","modified_gmt":"2026-08-21T23:09:11","slug":"celebra-la-muestra-oaxaca-cine-para-la-vida-la-diversidad-y-el-dialogo-comunitario","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/08\/21\/celebra-la-muestra-oaxaca-cine-para-la-vida-la-diversidad-y-el-dialogo-comunitario\/","title":{"rendered":"Celebra La Muestra Oaxaca: Cine para la Vida la diversidad y el di\u00e1logo comunitario"},"content":{"rendered":"<p><span style=\"font-weight: 400;\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1856 size-full\" style=\"font-weight: inherit;\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/08\/unnamed-_2_-2.webp\" alt=\"\" width=\"890\" height=\"490\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/08\/unnamed-_2_-2.webp 890w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/08\/unnamed-_2_-2-300x165.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/08\/unnamed-_2_-2-768x423.webp 768w\" sizes=\"auto, (max-width: 890px) 100vw, 890px\" \/><\/span><\/p>\n<p><span style=\"font-weight: 400;\">La Segunda Edici\u00f3n de la Muestra Oaxaca: Cine para la Vida es un espacio dedicado a la difusi\u00f3n y celebraci\u00f3n del cine mexicano con un enfoque en la identidad, la diversidad \u00a0que se celebrar\u00e1 del 2 al 9 de septiembre.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La Muestra acercar\u00e1 el cine a la poblaci\u00f3n local, generar\u00e1 reflexi\u00f3n a trav\u00e9s de historias que representan distintas realidades y fortalecer\u00e1 la industria cinematogr\u00e1fica en la regi\u00f3n.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Para esta segunda edici\u00f3n, la programaci\u00f3n contempla 13 pel\u00edculas y 25 funciones distribuidas en ejes tem\u00e1ticos:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Comunidades: re\u00fane seis t\u00edtulos de fuerte arraigo social, integr\u00e1ndose por:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Valentina o la serenidad, dirigida por \u00c1ngeles Cruz.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">R\u00edo de sapos, dirigida por Juan Carlos N\u00fa\u00f1ez Chavarr\u00eda.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Un lugar m\u00e1s grande, dirigida por Nicolas D\u00e9foss\u00e9.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Generaciones en resistencia, dirigida por Andr\u00e9 Fara Biram S\u00e1nchez.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Boca Vieja, dirigida por Yovegami Ascona Mora.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Li cham (Mor\u00ed), dirigida por Ana Ts&#8217;uyeb.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Infancias en foco: secci\u00f3n con tres t\u00edtulos orientados a las nuevas audiencias y miradas j\u00f3venes, conformada por:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Mi amigo el sol, dirigida por Alejandra P\u00e9rez Gonz\u00e1lez.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Un disfraz para Nicol\u00e1s, dirigida por Eduardo Rivero.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Ni\u00f1xs, dirigida por Kani Lapuerta.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Cine documental: tres producciones que abordan la memoria y el territorio, integradas por:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Los sue\u00f1os que compartimos, dirigida por Valentina Leduc.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Lachatao, dirigida por Natalia Bruschtein.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Binniz\u00e1, los seres de las nubes, dirigida por Juan Carlos Rulfo.<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">Asimismo, en la clausura se proyectar\u00e1 La vida es, dirigida por Lorena Villarreal.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-1857 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/08\/unnamed-3.webp\" alt=\"\" width=\"894\" height=\"556\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/08\/unnamed-3.webp 894w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/08\/unnamed-3-300x187.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/08\/unnamed-3-768x478.webp 768w\" sizes=\"auto, (max-width: 894px) 100vw, 894px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">Tambi\u00e9n habr\u00e1 tres talleres especializados impartidos por referentes del medio: la Clase Magistral \u2018El documental animado\u2019 a cargo de Carlos Hagerman (El patio de mi casa, Los que se quedan); el taller Esculpir el corte, El montaje como pensamiento audiovisual en colaboraci\u00f3n con la Escuela Superior de Cine (ESCINE) a cargo de la acad\u00e9mica Ana Luna Ortega; y el Taller de Actuaci\u00f3n realista para la c\u00e1mara y direcci\u00f3n de actores impartido por\u00a0 la actriz Gabriela Cartol (La Camarista).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">De forma complementaria, se llevar\u00e1n a cabo tres paneles de discusi\u00f3n abiertos al p\u00fablico enfocados en los retos actuales de la distribuci\u00f3n y producci\u00f3n audiovisual:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sacudiendo el cine: Campa\u00f1as de impacto y comunicaci\u00f3n del cine en M\u00e9xico. Con la participaci\u00f3n de Michelle Plascencia (Impacta Cine), Carlos Hagerman y Mariana Mar\u00edn.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Los ojos en los festivales y muestras de M\u00e9xico. Con Chloe Roddick (FIC Morelia), Pedro Emilio Segura (Ambulante), Abraham Castillo (Maleficarum MX).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Filmar en oaxaque\u00f1o, los cineastas de nuestra comunidad. Con la presencia de Yovegami Ascona (Boca Vieja), Yoari L\u00f3pez (Ni racaladxe\u2019), Manuel Cruz Vivas (Cocodrilo).<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>La Segunda Edici\u00f3n de la Muestra Oaxaca: Cine para la Vida es un espacio dedicado a la difusi\u00f3n y celebraci\u00f3n del cine mexicano con un enfoque en la identidad, la diversidad \u00a0que se celebrar\u00e1 del 2 al 9 de septiembre.\u00a0 La Muestra acercar\u00e1 el cine a la poblaci\u00f3n local, generar\u00e1 reflexi\u00f3n a trav\u00e9s de historias [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-1855","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=1855"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1855\/revisions"}],"predecessor-version":[{"id":1858,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/1855\/revisions\/1858"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=1855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=1855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=1855"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=1855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}