{"id":2031,"date":"2026-10-08T00:08:35","date_gmt":"2026-10-08T06:08:35","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=2031"},"modified":"2026-10-08T00:08:35","modified_gmt":"2026-10-08T06:08:35","slug":"nosotros-una-vision-sobre-el-amor-y-los-prejuicios-en-el-ficm","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/10\/08\/nosotros-una-vision-sobre-el-amor-y-los-prejuicios-en-el-ficm\/","title":{"rendered":"&#8220;Nosotros&#8221;, una visi\u00f3n sobre el amor y los prejuicios, en el FICM"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-2032 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/10\/unnamed-2.webp\" alt=\"\" width=\"894\" height=\"618\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/10\/unnamed-2.webp 894w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/10\/unnamed-2-300x207.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2026\/10\/unnamed-2-768x531.webp 768w\" sizes=\"auto, (max-width: 894px) 100vw, 894px\" \/><\/p>\n<p>El largometraje del realizador guatemalteco-mexicano Joaqu\u00edn Ruano, &#8220;Nosotros&#8221;, llega al Festival Internacional de Cine de Morelia (FICM) como parte de su secci\u00f3n principal en competencia. La cinta propone un retrato sobre el deseo, la marginalidad y el peso social de las miradas ajenas, abordado desde una visi\u00f3n sensible hacia la vida rural y visibilizando la experiencia de ser trans en la urbe contempor\u00e1nea.<\/p>\n<p>La trama sigue a Romero, un joven proveniente del altiplano guatemalteco que decide dejar atr\u00e1s su comunidad y llega a la ciudad de Guatemala para trabajar como guardia de seguridad. En ese lugar conoce a Nubia, una mujer trans con quien conecta de inmediato, y encuentra refugio y una profunda ternura y complicidad. Sin embargo, este fr\u00e1gil santuario no tarda en verse amenazado conforme el escrutinio, las sospechas y los prejuicios del entorno de trabajo comienzan a cercarlo.<\/p>\n<p>Con un equilibrio entre el drama social y el romance atmosf\u00e9rico, Ruano da muestra de su intuici\u00f3n narrativa y visual para utilizar el contraste entre la solitaria disciplina de la seguridad privada y la efervescencia \u00edntima del encuentro amoroso para cuestionar las barreras impuestas a las identidades disidentes.<\/p>\n<p>&#8220;Nosotros&#8221; tambi\u00e9n resalta por las interpretaciones \u00edntimas de J\u00f3zef Sebasti\u00e1n Coxaj Carrera, Mayra Salvador y Lola V\u00e1squez, quienes transmiten con honestidad y contenci\u00f3n las complejidades emocionales de sus personajes. La coproducci\u00f3n entre M\u00e9xico y Guatemala explora con madurez las tensiones identitarias y de clase en la regi\u00f3n, ofreciendo un relato visceral que invita a la reflexi\u00f3n.<\/p>\n<p>\u201cNosotros\u201d llega a Morelia para competir por El Ojo a Largometraje Mexicano en esta edici\u00f3n del certamen, ratificando su proyecci\u00f3n internacional tras su celebrado paso por el Festival Internacional de Cine de Toronto. Se presentar\u00e1 en el encuentro cinematogr\u00e1fico moreliano el 20 de octubre en Cin\u00e9polis Centro en la capital michoacana.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El largometraje del realizador guatemalteco-mexicano Joaqu\u00edn Ruano, &#8220;Nosotros&#8221;, llega al Festival Internacional de Cine de Morelia (FICM) como parte de su secci\u00f3n principal en competencia. La cinta propone un retrato sobre el deseo, la marginalidad y el peso social de las miradas ajenas, abordado desde una visi\u00f3n sensible hacia la vida rural y visibilizando la [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-2031","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/2031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=2031"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/2031\/revisions"}],"predecessor-version":[{"id":2033,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/2031\/revisions\/2033"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=2031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=2031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=2031"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=2031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}