{"id":2034,"date":"2026-10-08T00:18:07","date_gmt":"2026-10-08T06:18:07","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=2034"},"modified":"2026-10-08T00:18:07","modified_gmt":"2026-10-08T06:18:07","slug":"celebra-red-rocks-premiere-latinoamericana-en-el-ficm","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/10\/08\/celebra-red-rocks-premiere-latinoamericana-en-el-ficm\/","title":{"rendered":"Celebra &#8220;Red Rocks&#8221; premiere latinoamericana en el FICM"},"content":{"rendered":"<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lvW8JtqjqYc?si=6AZ7PWpR_uDyU01q\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&#8220;Red Rocks&#8221;, de Bruno Dumont, llega a la 24 edici\u00f3n del Festival Internacional de Cine de Morelia (FICM) para celebrar su premiere latinoamericana.<\/p>\n<p>La pel\u00edcula, que cont\u00f3 con el impulso de la casa productora mexicana Sula Films y del productor Alejandro Sugich como pieza clave para su concreci\u00f3n, despliega una fascinante proeza visual protagonizada por ni\u00f1os de cinco a\u00f1os (actores naturales) que compiten en dos bandas rivales saltando al mar desde los acantilados de la Riviera Francesa.<\/p>\n<p>Situada en Riviera Francesa, &#8220;Red Rocks&#8221; despliega un verano inagotable donde el Mediterr\u00e1neo se convierte en el vasto escenario de los primeros destellos del amor, la amistad y la rivalidad.<\/p>\n<p>La funci\u00f3n especial de gala en el FICM se llevar\u00e1 a cabo el 19 de octubre en Cin\u00e9polis Centro, en la capital michoacana, con la presencia de Alejandro Sugich y del fot\u00f3grafo Carlos Alfonso Corral.<\/p>\n<p>De manera paralela, Sula Films fortalece su presencia en la Selecci\u00f3n Oficial en competencia del FICM con El jard\u00edn que so\u00f1amos, el nuevo largometraje del director mexicano Joaqu\u00edn del Paso. La producci\u00f3n, que tuvo su premiere mundial en el Festival Internacional de Cine de Berl\u00edn y cosech\u00f3 galardones en los cert\u00e1menes de M\u00e1laga y Seattle durante 2026, retrata la traves\u00eda de una familia haitiana que, en su tr\u00e1nsito por M\u00e9xico, es reclutada para la tala ilegal en los bosques lim\u00edtrofes entre el Estado de M\u00e9xico y Michoac\u00e1n, espacio que alberga el santuario de la mariposa monarca.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;Red Rocks&#8221;, de Bruno Dumont, llega a la 24 edici\u00f3n del Festival Internacional de Cine de Morelia (FICM) para celebrar su premiere latinoamericana. La pel\u00edcula, que cont\u00f3 con el impulso de la casa productora mexicana Sula Films y del productor Alejandro Sugich como pieza clave para su concreci\u00f3n, despliega una fascinante proeza visual protagonizada por [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-2034","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/2034","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=2034"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/2034\/revisions"}],"predecessor-version":[{"id":2035,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/2034\/revisions\/2035"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=2034"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=2034"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=2034"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=2034"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}