{"id":452,"date":"2025-10-08T18:55:23","date_gmt":"2025-10-09T00:55:23","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=452"},"modified":"2025-10-08T18:55:23","modified_gmt":"2025-10-09T00:55:23","slug":"presenta-manuela-solano-alien-queen-paraiso-extrano","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/08\/presenta-manuela-solano-alien-queen-paraiso-extrano\/","title":{"rendered":"Presenta Manuela Solano \u201cAlien Queen\/Para\u00edso Extra\u00f1o\u201d"},"content":{"rendered":"

\"\"<\/p>\n

Manuela Solano, artista mexicana, presenta su obra \u201cAlien Queen\/Para\u00edso Extra\u00f1o<\/em>\u201d, con m\u00e1s de 30 retratos de personajes reales y ficticios de la cultura pop.<\/p>\n

La exposici\u00f3n ser\u00e1 exhibida en el Museo Tamayo<\/strong>, en Ciudad de M\u00e9xico, del 9 de octubre al 4 de enero de 2026.<\/p>\n

El trabajo de la artista es un universo visual \u00edntimo, donde se muestra una profunda conexi\u00f3n con su memoria y revela contrastes emocionales y personales con un enfoque intuitivo y autobiogr\u00e1fico.<\/p>\n

\u201cPerd\u00ed la vista a los 26 a\u00f1os (2014) a causa de una infecci\u00f3n relacionada con el VIH que fue tratada negligentemente; desde entonces se conjugan en mi pr\u00e1ctica cultura visual y memoria\u201d, se\u00f1al\u00f3 Solano.<\/p>\n

La obra explora la identidad como un proceso de largo aliento, de interacci\u00f3n y subversi\u00f3n. Desde la fragilidad y el goce, la artista propone un espacio para el humor, la iron\u00eda y la reflexi\u00f3n sobre los \u00edconos juveniles.<\/p>\n

\u201cPor ejemplo, una obra inspirada en Marge Simpson<\/strong> no solo retrata al personaje, sino que aborda temas como el deseo de ascenso social, los sacrificios personales y la tensi\u00f3n entre los valores propios y las expectativas externas\u201d, afirm\u00f3 la artista.<\/p>\n

La muestra fue creada entre 2019 y 2025, con un equipo cercano que la acompa\u00f1a en la construcci\u00f3n de cada pintura, desde la elecci\u00f3n del formato hasta el trazo final.<\/p>\n

La artista pinta con los dedos mientras el equipo coloca y retira los elementos. En la selecci\u00f3n de colores se considera la fidelidad a las referencias, as\u00ed como lo que Solano desea transmitir.<\/p>\n

*Con informaci\u00f3n y foto de Inbal<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Manuela Solano, artista mexicana, presenta su obra \u201cAlien Queen\/Para\u00edso Extra\u00f1o\u201d, con m\u00e1s de 30 retratos de personajes reales y ficticios de la cultura pop. La exposici\u00f3n ser\u00e1 exhibida en el Museo Tamayo, en Ciudad de M\u00e9xico, del 9 de octubre al 4 de enero de 2026. El trabajo de la artista es un universo visual […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-452","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/452","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=452"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/452\/revisions"}],"predecessor-version":[{"id":454,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/452\/revisions\/454"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=452"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=452"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=452"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=452"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}