{"id":457,"date":"2025-10-09T16:40:43","date_gmt":"2025-10-09T22:40:43","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=457"},"modified":"2025-10-09T16:42:56","modified_gmt":"2025-10-09T22:42:56","slug":"laszlo-krasznahorkai-premio-nobel-de-literatura-2025","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/09\/laszlo-krasznahorkai-premio-nobel-de-literatura-2025\/","title":{"rendered":"L\u00e1szl\u00f3 Krasznahorkai, Premio Nobel de Literatura 2025"},"content":{"rendered":"

\"\"<\/p>\n

L\u00e1szl\u00f3 Krasznahorkai, escritor h\u00fangaro, fue galardonado por el Premio Nobel de Literatura 2025<\/strong>, debido a que su obra \u201ces convincente y visionaria que, en medio del terror apocal\u00edptico, reafirma el poder del arte\u201d, inform\u00f3 la Academia Sueca.\u00a0<\/span><\/p>\n

Krasznahorkai, de 71 a\u00f1os, apuesta por una escritura desafiante donde construye atm\u00f3sferas terror\u00edficas donde describe c\u00f3mo la humanidad se desmorona.<\/span><\/p>\n

Nacido el 5 de enero de 1954 en la ciudad de Gyula, Krasznahorkai debut\u00f3 con su obra \u201cTango sat\u00e1nico\u201d (1985), un texto oscuro donde se refleja la desesperaci\u00f3n e inhumanidad.\u00a0<\/span><\/p>\n

Lo grotesco, el terror y la melancol\u00eda son caracter\u00edsticas en el estilo del novelista, quien tambi\u00e9n es autor de \u201cMelancol\u00eda de la resistencia\u201d (1989), \u201cGuerra y guerra\u201d (1999), \u201cY Seiobo descendi\u00f3 a la Tierra\u201d (2008), entre otros.<\/span><\/p>\n

Entre sus otros premios se encuentra el Prix S\u00e1ndor M\u00e1rai, en 1998; Premio Formentor de las Letras, en 2024, entre otros.<\/span><\/p>\n

Imagen: \u00a9 Niklas Elmehed \/ Nobel Prize Outreach (Fuente: Nobel Prize \/ @NobelPrize en X)<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

L\u00e1szl\u00f3 Krasznahorkai, escritor h\u00fangaro, fue galardonado por el Premio Nobel de Literatura 2025, debido a que su obra \u201ces convincente y visionaria que, en medio del terror apocal\u00edptico, reafirma el poder del arte\u201d, inform\u00f3 la Academia Sueca.\u00a0 Krasznahorkai, de 71 a\u00f1os, apuesta por una escritura desafiante donde construye atm\u00f3sferas terror\u00edficas donde describe c\u00f3mo la humanidad […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-457","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/457","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=457"}],"version-history":[{"count":2,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/457\/revisions"}],"predecessor-version":[{"id":460,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/457\/revisions\/460"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=457"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=457"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=457"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=457"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}