{"id":552,"date":"2025-10-18T19:39:51","date_gmt":"2025-10-19T01:39:51","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=552"},"modified":"2025-10-18T19:39:51","modified_gmt":"2025-10-19T01:39:51","slug":"tlanchana-un-ballet-que-une-mito-arte-y-naturaleza","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/18\/tlanchana-un-ballet-que-une-mito-arte-y-naturaleza\/","title":{"rendered":"“Tlanchana\u201d, un ballet que une mito, arte y naturaleza"},"content":{"rendered":"

\"\"<\/p>\n

La obra \u201cTlanchana, la leyenda de nuestras aguas\u201d,se presentar\u00e1 en el Teatro de la Ciudad el 25 y 26 de octubre.<\/span><\/p>\n

Se trata de un ballet neocl\u00e1sico-contempor\u00e1neo-mitol\u00f3gico, producido y dirigido art\u00edsticamente por Tonatiuh G\u00f3mez, primer bailar\u00edn mexicano del San Diego Ballet, y creador de la Fundaci\u00f3n Tonatiuh G\u00f3mez.<\/span><\/p>\n

La obra est\u00e1 inspirada en una leyenda de Metepec, Estado de M\u00e9xico, lugar donde Tonatiuh es originario. Se cuenta que hace miles de a\u00f1os en los lagos y pantanos de la zona, exist\u00eda la Tlanchana, una mujer mitad humana y mitad serpiente, quien era el esp\u00edritu protector de los pescadores y s\u00edmbolo de abundancia.\u00a0<\/span><\/p>\n

La propuesta de Tonatiuh expande los c\u00f3digos del ballet cl\u00e1sico para incorporar el\u00a0<\/span>lenguaje de la danza contempor\u00e1nea, el teatro ritual, la poes\u00eda esc\u00e9nica, el arte del clown y\u00a0<\/span>recursos multimedia y tecnol\u00f3gicos, a los que llama factores \u201cWOOW\u201d.<\/span><\/p>\n

A trav\u00e9s del movimiento, la m\u00fasica y la imagen, la obra plantea una met\u00e1fora del pasado, del presente, de la esperanza, as\u00ed como reflexionar sobre el impacto en el entorno, el uso desmedido de los recursos naturales y la posibilidad de restauraci\u00f3n a trav\u00e9s del arte y la memoria.<\/span><\/p>\n

\u201cMitzli, la ni\u00f1a protagonista de la historia, representa a las nuevas generaciones. Su viaje guiado por deidades ancestrales y criaturas m\u00edticas es tambi\u00e9n el viaje de nuestra sociedad hacia la reconciliaci\u00f3n con la naturaleza\u201d, explic\u00f3 Tonatiuh.<\/span><\/p>\n

La puesta en escena transforma la leyenda en mensaje, y en un llamado a proteger el planeta. Asimismo, es un homenaje al pueblo de Metepec, y a los pueblos que escucharon a la naturaleza desde el inicio, finaliz\u00f3 Tonatiuh.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La obra \u201cTlanchana, la leyenda de nuestras aguas\u201d,se presentar\u00e1 en el Teatro de la Ciudad el 25 y 26 de octubre. Se trata de un ballet neocl\u00e1sico-contempor\u00e1neo-mitol\u00f3gico, producido y dirigido art\u00edsticamente por Tonatiuh G\u00f3mez, primer bailar\u00edn mexicano del San Diego Ballet, y creador de la Fundaci\u00f3n Tonatiuh G\u00f3mez. La obra est\u00e1 inspirada en una leyenda […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-552","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=552"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/552\/revisions"}],"predecessor-version":[{"id":554,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/552\/revisions\/554"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=552"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}