{"id":557,"date":"2025-10-19T23:39:03","date_gmt":"2025-10-20T05:39:03","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=557"},"modified":"2025-10-19T23:39:03","modified_gmt":"2025-10-20T05:39:03","slug":"galardonan-a-leonarda-rivera-por-su-obra-tierra-fria","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/19\/galardonan-a-leonarda-rivera-por-su-obra-tierra-fria\/","title":{"rendered":"Galardonan a Leonarda Rivera por su obra “Tierra Fr\u00eda”"},"content":{"rendered":"

\"\"<\/p>\n

Leonarda Rivera Sosa recibi\u00f3 el Premio Bellas Artes de Cr\u00f3nica Literaria \u201cCarlos Montemayor\u201d 2025, por parte de la Secretar\u00eda de Cultura del Gobierno de M\u00e9xico, el Instituto Nacional de Bellas Artes y Literatura (INBAL), a trav\u00e9s de la Coordinaci\u00f3n Nacional de Literatura.<\/span><\/p>\n

La ensayista y poeta michoacana recibi\u00f3 un premio de 100 mil pesos, y una placa conmemorativa por su obra titulada \u201cTierra Fr\u00eda\u201d, compuesto por cinco cr\u00f3nicas que buscan visibilizar las dificultades que se viven en la meseta pur\u00e9pecha de Michoac\u00e1n, as\u00ed como dar voz al pueblo originario ante la deforestaci\u00f3n de los bosques de esta entidad.<\/span><\/p>\n

Leonarda Rivera Sosa agradeci\u00f3 a las instituciones convocantes por mantener viva la cr\u00f3nica como g\u00e9nero literario, y expres\u00f3 sentirse honrada de ser la und\u00e9cima mujer en recibir esta distinci\u00f3n en m\u00e1s de 40 a\u00f1os de existencia del certamen.\u00a0<\/span><\/p>\n

Por su parte, la coordinadora Nacional de Literatura del INBAL, Nadia L\u00f3pez Garc\u00eda, destac\u00f3 que Tierra fr\u00eda aborda la cosmovisi\u00f3n pur\u00e9pecha a trav\u00e9s del poder del lenguaje, e incentiva a compartir la cr\u00f3nica con futuras generaciones como reflejo de la realidad.<\/span><\/p>\n

Leonarda Rivera Sosa es doctora en Filosof\u00eda por la UNAM, ensayista y poeta originaria de Michoac\u00e1n. Es autora del libro \u201cDon Juan y la Filosof\u00eda\u201d (16\u00ba Premio Internacional de Ensayo Siglo XXI, 2018) y de los poemarios \u201cM\u00fasica para destruir una ciudad\u201d (2015), y \u201cEl cazador sue\u00f1a un le\u00f3n herido\u201d (2019).<\/span><\/p>\n

*Foto e informaci\u00f3n del INBAL<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Leonarda Rivera Sosa recibi\u00f3 el Premio Bellas Artes de Cr\u00f3nica Literaria \u201cCarlos Montemayor\u201d 2025, por parte de la Secretar\u00eda de Cultura del Gobierno de M\u00e9xico, el Instituto Nacional de Bellas Artes y Literatura (INBAL), a trav\u00e9s de la Coordinaci\u00f3n Nacional de Literatura. La ensayista y poeta michoacana recibi\u00f3 un premio de 100 mil pesos, y […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-557","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/557","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=557"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/557\/revisions"}],"predecessor-version":[{"id":559,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/557\/revisions\/559"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=557"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=557"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=557"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=557"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}