{"id":564,"date":"2025-10-20T22:50:27","date_gmt":"2025-10-21T04:50:27","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=564"},"modified":"2025-10-20T23:15:27","modified_gmt":"2025-10-21T05:15:27","slug":"anuncia-inbal-las-37-propuestas-del-coloquio-latino-de-danza-viscesc","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/20\/anuncia-inbal-las-37-propuestas-del-coloquio-latino-de-danza-viscesc\/","title":{"rendered":"Anuncia INBAL las 37 propuestas del Coloquio Latino de Danza VISCESC"},"content":{"rendered":"

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La Secretar\u00eda de Cultura y el Instituto Nacional de Bellas Artes y Literatura (INBAL) dio a conocer las 37 propuestas seleccionadas que integrar\u00e1n el programa del 4.\u00ba Coloquio Latinoamericano de Investigaci\u00f3n y Pr\u00e1cticas de la Danza: Visiones Contempor\u00e1neas desde la Escena (VISCESC), celebrado del 18 al 23 de noviembre en el Museo Tamayo Arte Contempor\u00e1neo y el Museo de Arte Moderno del INBAL.<\/span><\/p>\n

Esta edici\u00f3n re\u00fane a ponentes y talleristas de 12 pa\u00edses: Argentina, Bolivia, Brasil, Chile, Colombia, Costa Rica, Cuba, Ecuador, Escocia, Estados Unidos, M\u00e9xico y Per\u00fa. Asimismo, durante esta edici\u00f3n se contar\u00e1 con la representaci\u00f3n de ocho entidades: Ciudad de M\u00e9xico, Guanajuato, Michoac\u00e1n, Morelos, Oaxaca, Sinaloa, Veracruz y Yucat\u00e1n.<\/span><\/p>\n

El contenido del Coloquio se divide en: Patrimonios coreogr\u00e1ficos y archivos; Danzas de matriz negra africana e ind\u00edgena; Autobiograf\u00edas, feminismos, dramaturgias de testimonios y performatividades en danza; y Cuerpo, embodiment, territorios, dimensiones est\u00e9ticas y pol\u00edticas para las danzas.\u00a0<\/span><\/p>\n

El Coloquio VISCESC, fundado en 2016 por \u00c1ngulo Alterno A.C. y ASYC\/El Teatro de Movimiento\u2013Primero Sue\u00f1o A.C., en colaboraci\u00f3n con la Coordinaci\u00f3n Nacional de Danza y el Centro Nacional de Investigaci\u00f3n, Documentaci\u00f3n e Informaci\u00f3n de la Danza Jos\u00e9 Lim\u00f3n (CENIDI Danza), regresa despu\u00e9s de tres ediciones para continuar su labor de articular un espacio de reflexi\u00f3n cr\u00edtica sobre la danza, sus teor\u00edas y sus pr\u00e1cticas desde la escena latinoamericana.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

La Secretar\u00eda de Cultura y el Instituto Nacional de Bellas Artes y Literatura (INBAL) dio a conocer las 37 propuestas seleccionadas que integrar\u00e1n el programa del 4.\u00ba Coloquio Latinoamericano de Investigaci\u00f3n y Pr\u00e1cticas de la Danza: Visiones Contempor\u00e1neas desde la Escena (VISCESC), celebrado del 18 al 23 de noviembre en el Museo Tamayo Arte Contempor\u00e1neo […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-564","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/564","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=564"}],"version-history":[{"count":2,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/564\/revisions"}],"predecessor-version":[{"id":570,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/564\/revisions\/570"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=564"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=564"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=564"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=564"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}