{"id":585,"date":"2025-10-21T22:17:45","date_gmt":"2025-10-22T04:17:45","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=585"},"modified":"2025-10-21T22:17:45","modified_gmt":"2025-10-22T04:17:45","slug":"botanica-arte-y-naturaleza-en-el-macj","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/21\/botanica-arte-y-naturaleza-en-el-macj\/","title":{"rendered":"Bot\u00e1nica: arte y naturaleza en el MACJ"},"content":{"rendered":"

\"\"<\/p>\n

Este viernes 24 de octubre se inaugura la exposici\u00f3n <\/span>Bot\u00e1nica: Nuevas especies<\/span><\/i>, de Emilia Sandoval, donde se refleja el inter\u00e9s de la artista por la naturaleza a partir de su vida cotidiana en Oaxaca, as\u00ed como su v\u00ednculo con Chihuahua, su tierra natal.\u00a0<\/span><\/p>\n

La propuesta expositiva estar\u00e1 en el Museo de Arte de Ciudad Ju\u00e1rez (MACJ), Chihuahua; donde la artista presenta una combinaci\u00f3n de medios pl\u00e1sticos y digitales, as\u00ed como bolsas de pl\u00e1stico o telas para crear especies bot\u00e1nicas ficticias inspiradas en plantas mexicanas.\u00a0<\/span><\/p>\n

Esta exposici\u00f3n invita a reflexionar sobre la intervenci\u00f3n humana en la naturaleza, la modificaci\u00f3n de especies, la manipulaci\u00f3n gen\u00e9tica y la cultura del consumo, por ello, propone una mirada cr\u00edtica hacia el mundo actual donde la naturaleza aparece en un plano secundario.\u00a0<\/span><\/p>\n

Emilia Sandoval es una artista que abarca diversas t\u00e9cnicas, como el collage, la instalaci\u00f3n, el textil, la pintura y el arte postal. Ha presentado exposiciones individuales en Chihuahua, San Miguel de Allende, Quer\u00e9taro, Puebla, Guadalajara y Oaxaca. Asimismo, ha participado en numerosas muestras en Estados Unidos, Cuba, Brasil, Francia, China y otros pa\u00edses de Asia.<\/span><\/p>\n

La exposici\u00f3n estar\u00e1 abierta del 24 de octubre al 1 de febrero de 2026, en el Museo de Arte de Ciudad Ju\u00e1rez (MACJ), Chihuahua.<\/span><\/p>\n

*Foto: Inbal<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Este viernes 24 de octubre se inaugura la exposici\u00f3n Bot\u00e1nica: Nuevas especies, de Emilia Sandoval, donde se refleja el inter\u00e9s de la artista por la naturaleza a partir de su vida cotidiana en Oaxaca, as\u00ed como su v\u00ednculo con Chihuahua, su tierra natal.\u00a0 La propuesta expositiva estar\u00e1 en el Museo de Arte de Ciudad Ju\u00e1rez […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-585","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/585","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=585"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/585\/revisions"}],"predecessor-version":[{"id":587,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/585\/revisions\/587"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=585"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=585"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=585"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=585"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}