{"id":624,"date":"2025-10-26T20:25:28","date_gmt":"2025-10-27T02:25:28","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=624"},"modified":"2025-10-26T20:25:28","modified_gmt":"2025-10-27T02:25:28","slug":"ofrecen-rosy-arango-y-la-ocba-concierto-en-bellas-artes","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/26\/ofrecen-rosy-arango-y-la-ocba-concierto-en-bellas-artes\/","title":{"rendered":"Ofrecen Rosy Arango y la OCBA concierto en Bellas Artes"},"content":{"rendered":"

\"\"<\/p>\n

Rosy Arango y la Orquesta de C\u00e1mara de Bellas Artes (OCBA) ofrecer\u00e1n el concierto <\/span>Encuentros con la vida y la muerte<\/span><\/i> el pr\u00f3ximo jueves 30 de octubre, en la Sala Principal del Palacio de Bellas Artes, Ciudad de M\u00e9xico.<\/span><\/p>\n

El espect\u00e1culo rendir\u00e1 homenaje a compositores de la m\u00fasica mexicana. \u201cHay temas alegres, otros solemnes y algunos con letras muy profundas\u201d, se\u00f1al\u00f3 Luis Manuel S\u00e1nchez, director de la OCBA.<\/span><\/p>\n

El repertorio incluir\u00e1 \u201cLa Martiniana\u201d, \u201cDios nunca muere\u201d, de Macedonio Alcal\u00e1, con arreglo de Omar Arellano; \u201cCanci\u00f3n mixteca\u201d, de Jos\u00e9 L\u00f3pez Alavez, con arreglo de Nubia Jaime; \u201cLa Llorona\u201d, con arreglo de Rodrigo Lom\u00e1n; y \u201cTata Dios\u201d, de Valeriano Trejo.\u00a0<\/span><\/p>\n

Rosy Arango agreg\u00f3 que ser\u00e1 una noche m\u00e1gica, acompa\u00f1ada por una gran orquesta como la OCBA, y convoc\u00f3 al p\u00fablico a asistir con guayaberas, huipiles, rebozos, flores en el cabello y pa\u00f1uelos \u201cpara rendir culto a la memoria, al origen y a nuestras tradiciones. Ser\u00e1 una noche con olor a cempas\u00fachil, de leyendas, de sincretismo y de nostalgia, para bailar y cantar\u201d.<\/span><\/p>\n

El concierto finalizar\u00e1 con un ramillete de sones de dominio p\u00fablico: \u201cLa bruja\u201d, \u201cEl cascabel\u201d y \u201cMar\u00eda Chuchena\u201d, y \u201cCucurrucuc\u00fa paloma\u201d, de Tom\u00e1s M\u00e9ndez.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Rosy Arango y la Orquesta de C\u00e1mara de Bellas Artes (OCBA) ofrecer\u00e1n el concierto Encuentros con la vida y la muerte el pr\u00f3ximo jueves 30 de octubre, en la Sala Principal del Palacio de Bellas Artes, Ciudad de M\u00e9xico. El espect\u00e1culo rendir\u00e1 homenaje a compositores de la m\u00fasica mexicana. \u201cHay temas alegres, otros solemnes y […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-624","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=624"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/624\/revisions"}],"predecessor-version":[{"id":626,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/624\/revisions\/626"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=624"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}