{"id":671,"date":"2025-10-29T17:31:13","date_gmt":"2025-10-29T23:31:13","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=671"},"modified":"2025-10-29T17:33:05","modified_gmt":"2025-10-29T23:33:05","slug":"baile-surreal-arte-musica-y-tradicion-en-el-museo-franz-mayer","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/29\/baile-surreal-arte-musica-y-tradicion-en-el-museo-franz-mayer\/","title":{"rendered":"Baile surreal: arte, m\u00fasica y tradici\u00f3n en el Museo Franz Mayer"},"content":{"rendered":"

\"\"<\/p>\n

El Museo Franz Mayer se transformar\u00e1 hoy en un escenario donde el arte, la fotograf\u00eda y la tradici\u00f3n del D\u00eda de Muertos se entrelazan en una velada \u00fanica: \u201cBaile surreal\u201d, una celebraci\u00f3n que marca la inauguraci\u00f3n de la exposici\u00f3n Surreal. Rodney Smith.<\/p>\n

Desde las 18:00 horas, los asistentes recorrer\u00e1n la esperada muestra fotogr\u00e1fica del artista estadounidense, cuya obra fusiona elegancia, imaginaci\u00f3n y un toque on\u00edrico. Adem\u00e1s, el museo ofrecer\u00e1 una serie de visitas guiadas tem\u00e1ticas que invitan a explorar el v\u00ednculo entre la muerte, el surrealismo y el arte:<\/p>\n

\u00a1Viva la muerte en el Arte Popular! \u2013 Colecci\u00f3n Ruth D. Lechuga (18:30 h)<\/p>\n

Pierre et Gilles: una mirada subversiva a la colecci\u00f3n Franz Mayer (18:45 h)<\/p>\n

Wolfgang Paalen y el Surrealismo en M\u00e9xico (19:15 h)<\/p>\n

Surreal. Rodney Smith, recorrido especial con Anne Morin, curadora de la exposici\u00f3n (19:30 h)<\/p>\n

La noche continuar\u00e1 con performances y m\u00fasica en vivo: una Danza Comparsa a cargo del Taller Ni\u00f1o Calavera y el ritmo envolvente de DJ Princesa Duende, ambos a las 20:00 horas.<\/p>\n

El dress code de la noche ser\u00e1 en tonos blanco y negro, y evocar\u00e1 la est\u00e9tica surrealista del evento.<\/p>\n

Tambi\u00e9n habr\u00e1 talleres de fotocollage y maquillaje de catrinas desde las 18:30 horas.<\/p>\n

El Baile surreal promete ser una noche donde la imaginaci\u00f3n cobra vida entre retratos, m\u00fasica y tradici\u00f3n.<\/p>\n

*Con informaci\u00f3n del Museo Franz Mayer<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

El Museo Franz Mayer se transformar\u00e1 hoy en un escenario donde el arte, la fotograf\u00eda y la tradici\u00f3n del D\u00eda de Muertos se entrelazan en una velada \u00fanica: \u201cBaile surreal\u201d, una celebraci\u00f3n que marca la inauguraci\u00f3n de la exposici\u00f3n Surreal. Rodney Smith. Desde las 18:00 horas, los asistentes recorrer\u00e1n la esperada muestra fotogr\u00e1fica del artista […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-671","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/671","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=671"}],"version-history":[{"count":4,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/671\/revisions"}],"predecessor-version":[{"id":676,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/671\/revisions\/676"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=671"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}