{"id":687,"date":"2025-10-30T14:24:10","date_gmt":"2025-10-30T20:24:10","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=687"},"modified":"2025-10-30T14:26:23","modified_gmt":"2025-10-30T20:26:23","slug":"1-y-2-noviembre-arte-y-tradicion-en-el-cenart","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/10\/30\/1-y-2-noviembre-arte-y-tradicion-en-el-cenart\/","title":{"rendered":"1 y 2 de noviembre: arte y tradici\u00f3n en el CENART"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-688 aligncenter\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/10\/22964-GAL-festival_de_dIa_de_muertos._el_Ultimo_aplauso_y_nos_vamos_2-300x300.webp\" alt=\"\" width=\"300\" height=\"300\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/10\/22964-GAL-festival_de_dIa_de_muertos._el_Ultimo_aplauso_y_nos_vamos_2-300x300.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/10\/22964-GAL-festival_de_dIa_de_muertos._el_Ultimo_aplauso_y_nos_vamos_2-1024x1024.webp 1024w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/10\/22964-GAL-festival_de_dIa_de_muertos._el_Ultimo_aplauso_y_nos_vamos_2-150x150.webp 150w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/10\/22964-GAL-festival_de_dIa_de_muertos._el_Ultimo_aplauso_y_nos_vamos_2-768x768.webp 768w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/10\/22964-GAL-festival_de_dIa_de_muertos._el_Ultimo_aplauso_y_nos_vamos_2.webp 1200w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">El Festival de D\u00eda de Muertos ENAT 2025: El \u00faltimo aplauso y nos vamos, es un encuentro art\u00edstico celebrado el 1 y 2 de noviembre en las instalaciones de la Escuela Nacional de Arte Teatral ENAT, ubicadas en el Centro Nacional de las Artes (CENART), Ciudad de M\u00e9xico.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">A partir de las 13:00 horas, los asistentes disfrutar\u00e1n de una programaci\u00f3n donde incluye una ofrenda tradicional, actividades esc\u00e9nicas, calaveritas literarias, concurso de disfraces, mercado gastron\u00f3mico y bazar de segunda mano.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">El evento es un homenaje al D\u00eda de Muertos, donde se entrelaza la tradici\u00f3n con la m\u00fasica, la danza y el arte.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Todas las actividades son de entrada libre y estar\u00e1n abiertas tanto a la comunidad acad\u00e9mica como al p\u00fablico general.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El Festival de D\u00eda de Muertos ENAT 2025: El \u00faltimo aplauso y nos vamos, es un encuentro art\u00edstico celebrado el 1 y 2 de noviembre en las instalaciones de la Escuela Nacional de Arte Teatral ENAT, ubicadas en el Centro Nacional de las Artes (CENART), Ciudad de M\u00e9xico. A partir de las 13:00 horas, los [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-687","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/687","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=687"}],"version-history":[{"count":4,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/687\/revisions"}],"predecessor-version":[{"id":692,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/687\/revisions\/692"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=687"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=687"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=687"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=687"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}