{"id":748,"date":"2025-11-11T23:02:50","date_gmt":"2025-11-12T05:02:50","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=748"},"modified":"2025-11-11T23:04:19","modified_gmt":"2025-11-12T05:04:19","slug":"se-presenta-el-trio-tempori-en-bellas-artes","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/11\/11\/se-presenta-el-trio-tempori-en-bellas-artes\/","title":{"rendered":"Se presenta el Tr\u00edo Tempori en Bellas Artes"},"content":{"rendered":"

\"\"<\/p>\n

Este viernes 14 de noviembre, el Tr\u00edo Tempori se presentar\u00e1, dentro del XX Festival Internacional Divertimento, en la Sala Manuel M. Ponce del Palacio de Bellas Artes.<\/span><\/p>\n

Integrado por Carlos Egry (viol\u00edn), Fabiola Flores (violonchelo) y Monique Rasetti (piano), el tr\u00edo se ha consolidado como una de las agrupaciones camer\u00edsticas m\u00e1s reconocidas en M\u00e9xico e interpretar\u00e1n m\u00fasica de Manuel M. Ponce (M\u00e9xico, 1882-1948), Christos Hatzis (Grecia, 1953) y Dmitri Shostakovich (Rusia, 1906-1975).<\/span><\/p>\n

El grupo fue fundado en 2004 con el prop\u00f3sito de divulgar obras de compositoras y compositores representativos de la m\u00fasica universal, desde el clasicismo hasta nuestros d\u00edas, as\u00ed como m\u00fasica de c\u00e1mara mexicana.<\/span><\/p>\n

Se ha presentado en los festivales Encuentro Internacional de Mujeres en el Arte, en M\u00e9xico y Espa\u00f1a; las temporadas de m\u00fasica de c\u00e1mara de Bellas Artes; Camar\u00edssima del Cenart; los ciclos de m\u00fasica de c\u00e1mara del Centro Cultural Universitario de la UNAM, el Foro Internacional de M\u00fasica Nueva Manuel Enr\u00edquez, y con la Orquesta Sinf\u00f3nica de Guanajuato, bajo la direcci\u00f3n de L\u00e1szlo Marosi.<\/span><\/p>\n

Cuenta con tres discos compactos: D\u00edptico rom\u00e1ntico, con los tr\u00edos de Clara Schumann y Fanny Mendelssohn; D\u00edptico franc\u00e9s, con los tr\u00edos de C\u00e9cile Chaminade y Germaine Tailleferre; y Tr\u00edos mexicanos, con obras de Manuel M. Ponce, Ricardo Zohn-Muldoon, Leonardo Coral y Mario Kuri-Aldana.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Este viernes 14 de noviembre, el Tr\u00edo Tempori se presentar\u00e1, dentro del XX Festival Internacional Divertimento, en la Sala Manuel M. Ponce del Palacio de Bellas Artes. Integrado por Carlos Egry (viol\u00edn), Fabiola Flores (violonchelo) y Monique Rasetti (piano), el tr\u00edo se ha consolidado como una de las agrupaciones camer\u00edsticas m\u00e1s reconocidas en M\u00e9xico e […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[5],"tags":[],"columnista":[],"class_list":["post-748","post","type-post","status-publish","format-standard","hentry","category-arte"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=748"}],"version-history":[{"count":4,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/748\/revisions"}],"predecessor-version":[{"id":753,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/748\/revisions\/753"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=748"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}