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El Pueblo M\u00e1gico de P\u00e1tzcuaro se convirti\u00f3, durante cuatro d\u00edas, en el centro del cine con la d\u00e9cimo cuarta edici\u00f3n del Festival Internacional de Cine Fant\u00e1stico FERATUM.<\/span><\/p>\n El festival finaliz\u00f3 y la triunfadora fue \u201cNo Dejes a los Ni\u00f1os Solos\u201d, de Emilio Portes, que obtuvo el <\/span>Premio Alucarda a Mejor Largometraje Mexicano <\/b>y reconocimientos en Direcci\u00f3n, Fotograf\u00eda y Dise\u00f1o de Producci\u00f3n.\u00a0<\/span><\/p>\n En la competencia internacional \u201cAdorable Humans\u201d se llev\u00f3 la <\/span>Torre FERATUM<\/b> a <\/span>Mejor Pel\u00edcula<\/b>, as\u00ed como los premios a <\/span>Mejor Gui\u00f3n y Mejor Direcci\u00f3n Internacional<\/b>.<\/span><\/p>\n La clausura incluy\u00f3 una emotiva proyecci\u00f3n de \u201cEstela\u201d, obra p\u00f3stuma del cineasta Adri\u00e1n Araujo.\u00a0<\/span><\/p>\n En total, se presentaron 76 t\u00edtulos y m\u00faltiples actividades formativas, entre ellas el panel \u201cLa distribuci\u00f3n de cine, el monstruo m\u00e1s temido\u201d; y La tradicional \u201cMarcha de las Bestias\u201d volvi\u00f3 a cautivar a visitantes y locales con m\u00e1s de 100 participantes disfrazados de criaturas fant\u00e1sticas.<\/span><\/p>\n FERATUM estren\u00f3 el nuevo <\/span>FERATUM Pitch Hub<\/b> para impulsar proyectos en desarrollo y entreg\u00f3 diversos premios t\u00e9cnicos y creativos destinados a fortalecer el talento emergente. Adem\u00e1s, este a\u00f1o Cin\u00e9polis se incorpor\u00f3 como sede oficial, lo que ampl\u00eda el alcance del evento.<\/span><\/p>\n Miguel \u00c1ngel Mar\u00edn, director de FERATUM, agradeci\u00f3 el apoyo de autoridades y comunidad local. Asimismo, destac\u00f3 el crecimiento del festival rumbo a su decimoquinto aniversario en 2026. La muestra continuar\u00e1 del 14 al 16 de noviembre en la Cineteca de las Artes, Ciudad de M\u00e9xico.<\/span><\/p>\n La edici\u00f3n 2025 reafirm\u00f3 a FERATUM como un espacio clave para el cine fant\u00e1stico en M\u00e9xico, lo que fortalece la industria y acerca nuevas experiencias cinematogr\u00e1ficas al p\u00fablico.<\/span><\/p>\n El Pueblo M\u00e1gico de P\u00e1tzcuaro se convirti\u00f3, durante cuatro d\u00edas, en el centro del cine con la d\u00e9cimo cuarta edici\u00f3n del Festival Internacional de Cine Fant\u00e1stico FERATUM. El festival finaliz\u00f3 y la triunfadora fue \u201cNo Dejes a los Ni\u00f1os Solos\u201d, de Emilio Portes, que obtuvo el Premio Alucarda a Mejor Largometraje Mexicano y reconocimientos en […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-767","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=767"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/767\/revisions"}],"predecessor-version":[{"id":770,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/767\/revisions\/770"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=767"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=767"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"](\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/11\/unnamed-_1_-1024x683.webp\")
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