{"id":804,"date":"2025-11-25T13:15:25","date_gmt":"2025-11-25T19:15:25","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=804"},"modified":"2025-12-07T00:02:53","modified_gmt":"2025-12-07T06:02:53","slug":"cortometrajes-en-el-museo-de-arte-carrillo-gil","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/11\/25\/cortometrajes-en-el-museo-de-arte-carrillo-gil\/","title":{"rendered":"Cortometrajes, en el Museo de Arte Carrillo Gil"},"content":{"rendered":"

\"\"<\/p>\n

El Museo de Arte Carrillo Gil (MACG) presentar\u00e1 el 26 de noviembre la sesi\u00f3n de cortometrajes Correspondencias y desplazamientos, a cargo del Colectivo Cine en Comunidad.<\/p>\n

El programa iniciar\u00e1 con \u201cTodos queremos un lugar al que llamar nuestro\u201d (2022), dirigido por Daniela Delgado Viteri. El corto trata sobre una peluquer\u00eda de Madrid, donde las personas acuden a ver y tocar una r\u00e9plica de la Virgen de El Quinche. Un sacerdote propone trasladar la estatua a una iglesia del centro, contrario a los deseos de la multitud, por lo que la imagen regresa al lugar.<\/p>\n

Se continuar\u00e1 con \u201cRummaging for the Past\u201d (2001), dirigida por Ashish Avikunthak, exponente del cine experimental de la India. El filme expone el video diario de una excavaci\u00f3n arqueol\u00f3gica internacional y una colecci\u00f3n de pel\u00edculas de bodas indias en formato de 8 mm. Avikunthak cuestiona las pr\u00e1cticas de extracci\u00f3n que se justifican a trav\u00e9s de la arqueolog\u00eda como pr\u00e1ctica colonialista.<\/p>\n

Finalmente, se presentar\u00e1 \u201cEAE. Acci\u00f3n en el museo\u201d, dirigida por Txomin Badiola. El filme retrata como en 1983 se fund\u00f3 EAE (Euskal Artisten Elkartea, Asociaci\u00f3n de Artistas Vascos), colectivo cuya primera acci\u00f3n fue sustraer o \u201cliberar\u201d, como ellos lo definieron, la obra del escultor Jorge Oteiza Homenaje a Malevich, del Museo de Bellas Artes de Bilbao, para entregarla al ayuntamiento. La acci\u00f3n fue registrada con c\u00e1maras caseras que documentaron todo el proceso, y Badiola edit\u00f3 esas im\u00e1genes junto con las que circularon en los medios de comunicaci\u00f3n.<\/p>\n

Fecha:<\/strong> 26 noviembre a las 19:00 horas
\nDirecci\u00f3n:<\/strong> Av. Revoluci\u00f3n 1608, San \u00c1ngel, \u00c1lvaro Obreg\u00f3n, Ciudad de M\u00e9xico.<\/p>\n","protected":false},"excerpt":{"rendered":"

El Museo de Arte Carrillo Gil (MACG) presentar\u00e1 el 26 de noviembre la sesi\u00f3n de cortometrajes Correspondencias y desplazamientos, a cargo del Colectivo Cine en Comunidad. El programa iniciar\u00e1 con \u201cTodos queremos un lugar al que llamar nuestro\u201d (2022), dirigido por Daniela Delgado Viteri. El corto trata sobre una peluquer\u00eda de Madrid, donde las personas […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-804","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/804","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=804"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/804\/revisions"}],"predecessor-version":[{"id":806,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/804\/revisions\/806"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=804"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=804"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=804"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=804"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}