{"id":837,"date":"2025-12-05T21:27:24","date_gmt":"2025-12-06T03:27:24","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=837"},"modified":"2025-12-05T21:27:24","modified_gmt":"2025-12-06T03:27:24","slug":"un-cascanueces-diferente-alebrisuenos-en-teatro-esperanza-iris","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/12\/05\/un-cascanueces-diferente-alebrisuenos-en-teatro-esperanza-iris\/","title":{"rendered":"Un Cascanueces diferente &#038; AlebriSue\u00f1os, en Teatro Esperanza Iris"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-838 size-full\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/SAB03333-copia-scaled.webp\" alt=\"\" width=\"2560\" height=\"1707\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/SAB03333-copia-scaled.webp 2560w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/SAB03333-copia-300x200.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/SAB03333-copia-1024x683.webp 1024w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/SAB03333-copia-768x512.webp 768w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/SAB03333-copia-1536x1024.webp 1536w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/SAB03333-copia-2048x1365.webp 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/p>\n<p><i><span style=\"font-weight: 400;\">Un Cascanueces diferente <\/span><\/i><span style=\"font-weight: 400;\">&amp; <\/span><i><span style=\"font-weight: 400;\">AlebriSue\u00f1os <\/span><\/i><span style=\"font-weight: 400;\">llega al Teatro Esperanza Iris este 18 de diciembre. Dos actos, dos mundos en un programa doble que re\u00fane universos opuestos, pero unidos por la fuerza de la imaginaci\u00f3n.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En una coproducci\u00f3n M\u00e9xico-Estados Unidos a cargo de las compa\u00f1\u00edas Males on Pointe y Ballet Eloelle, el espect\u00e1culo multidisciplinario celebra la magia infinita de la imaginaci\u00f3n convertida en un espect\u00e1culo esc\u00e9nico en el que el p\u00fablico recobra su derecho a la memoria, pero tambi\u00e9n al futuro.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La puesta en escena mezcla ballet, danza contempor\u00e1nea y elementos multimedia para celebrar la identidad mexicana desde la poes\u00eda visual.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">El primer acto <\/span><i><span style=\"font-weight: 400;\">AlebriSue\u00f1os<\/span><\/i><span style=\"font-weight: 400;\">, es una creaci\u00f3n original que rinde homenaje a Pedro Linares, el artesano mexicano que dio vida a los alebrijes. La obra narra su viaje on\u00edrico hacia un mundo de criaturas fant\u00e1sticas.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La funci\u00f3n da un giro con el segundo acto: <\/span><i><span style=\"font-weight: 400;\">Un Cascanueces diferente<\/span><\/i><span style=\"font-weight: 400;\">, protagonizado por la compa\u00f1\u00eda Males on Pointe, iniciativa de la Fundaci\u00f3n Tonatiuh G\u00f3mez, en coproducci\u00f3n con el Ballet Eloelle de Nueva York.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Bajo la direcci\u00f3n art\u00edstica de V\u00edctor Trevi\u00f1o y la producci\u00f3n de Tonatiuh G\u00f3mez (primer bailar\u00edn del San Diego Ballet), esta versi\u00f3n inspirada en el ballet cl\u00e1sico <\/span><i><span style=\"font-weight: 400;\">El Cascanueces<\/span><\/i><span style=\"font-weight: 400;\"> est\u00e1 inspirado en el espect\u00e1culo <\/span><i><span style=\"font-weight: 400;\">Men in Tut\u00fas<\/span><\/i><span style=\"font-weight: 400;\">, y rompe esquemas al presentar a sus int\u00e9rpretes hombres en tut\u00fas, mucho maquillaje y zapatillas de punta.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Un Cascanueces diferente <\/span><\/i><span style=\"font-weight: 400;\">&amp; <\/span><i><span style=\"font-weight: 400;\">AlebriSue\u00f1os <\/span><\/i><span style=\"font-weight: 400;\">es una declaraci\u00f3n art\u00edstica: \u201cLa creatividad no tiene g\u00e9nero, los sue\u00f1os no tienen fronteras y el arte puede hacernos re\u00edr, conmovernos y unirnos al mismo tiempo\u201d, se\u00f1alaron V\u00edctor Trevi\u00f1o y Tonatiuh G\u00f3mez.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un Cascanueces diferente &amp; AlebriSue\u00f1os llega al Teatro Esperanza Iris este 18 de diciembre. Dos actos, dos mundos en un programa doble que re\u00fane universos opuestos, pero unidos por la fuerza de la imaginaci\u00f3n. En una coproducci\u00f3n M\u00e9xico-Estados Unidos a cargo de las compa\u00f1\u00edas Males on Pointe y Ballet Eloelle, el espect\u00e1culo multidisciplinario celebra la [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-837","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/837","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=837"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/837\/revisions"}],"predecessor-version":[{"id":839,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/837\/revisions\/839"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=837"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}