{"id":859,"date":"2025-12-09T23:32:13","date_gmt":"2025-12-10T05:32:13","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=859"},"modified":"2025-12-09T23:32:13","modified_gmt":"2025-12-10T05:32:13","slug":"la-musica-que-despide-el-2025-con-fuerza","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2025\/12\/09\/la-musica-que-despide-el-2025-con-fuerza\/","title":{"rendered":"La m\u00fasica que despide el 2025 con fuerza"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-860 size-large\" src=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/pexels-uppsychic-35101998-1024x576.webp\" alt=\"\" width=\"1024\" height=\"576\" srcset=\"https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/pexels-uppsychic-35101998-1024x576.webp 1024w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/pexels-uppsychic-35101998-300x169.webp 300w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/pexels-uppsychic-35101998-768x432.webp 768w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/pexels-uppsychic-35101998-1536x863.webp 1536w, https:\/\/elcontemporaneo.mx\/wp-content\/uploads\/2025\/12\/pexels-uppsychic-35101998-2048x1151.webp 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">El 2025 se nos fue entre los dedos y, mientras el calendario marca su recta final, los artistas aprovechan diciembre para lanzar esos proyectos que cierran ciclos, abren nuevos caminos y preparan lo que vendr\u00e1 el pr\u00f3ximo a\u00f1o. Entre \u00e1lbumes deluxe, colaboraciones inesperadas, sesiones en vivo y sencillos que adelantan nuevas etapas creativas, estos son los estrenos que despiden el a\u00f1o con potencia.<\/span><\/p>\n<p><b>Nunca Jam\u00e1s libera Me Ir\u00e9 A Las Cantinas (Edici\u00f3n Deluxe),<\/b><span style=\"font-weight: 400;\"> una expansi\u00f3n festiva de su disco de este mismo a\u00f1o. Con \u201cMexas en Texas\u201d como tema foco, rinden homenaje a quienes viven entre dos mundos y celebran el cierre de un a\u00f1o repleto de logros, mientras preparan un proyecto ambicioso para 2026 bajo la producci\u00f3n de Gerry Rosado.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">En el terreno de pop, Hernaldo Z\u00fa\u00f1iga &amp; Ana Bel\u00e9n unen sus voces en <\/span><b>Que Nos Dejen Vivir En Paz,<\/b><span style=\"font-weight: 400;\"> sencillo que destaca por su mensaje urgente y humano: una invitaci\u00f3n a reflexionar en tiempos donde la empat\u00eda es esencial.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">El cierre del a\u00f1o tambi\u00e9n trae ritmos latinos con Tufic, quien presenta su EP <\/span><b>Vaquero de Oro<\/b><span style=\"font-weight: 400;\"> con covers y colaboraciones clave dentro de la escena actual. El focus track, \u201cSuavemente\u201d, refresca un cl\u00e1sico desde una mirada contempor\u00e1nea.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Por su parte, El Kuelgue entrega la tercera pieza de su fase trif\u00e1sica con <\/span><b>Loquero Viejo<\/b><span style=\"font-weight: 400;\">, una canci\u00f3n de aire zamba y acorde\u00f3n \u00edntimo gracias a la participaci\u00f3n del Chango Spaziuk. Un cierre perfecto para bajar la marcha y despedir el a\u00f1o desde la melancol\u00eda luminosa que caracteriza al grupo.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Desde el sur de la CDMX, Yoshi &amp; Blo llegan con <\/span><b>BUROGS<\/b><span style=\"font-weight: 400;\">, un single que explora un romance g\u00f3tico y emocional, autoproducido y con el sello sofisticado de Yoshi, productor nominado al Latin Grammy.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">El pop latino tambi\u00e9n se renueva con Mat\u00edas Gruener, quien presenta <\/span><b>ALoNe<\/b><span style=\"font-weight: 400;\">, una canci\u00f3n bailable que mezcla funk, R&amp;B y pop. Es el primer adelanto de su pr\u00f3ximo \u00e1lbum y llega acompa\u00f1ado de un lyric video.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">La guatemalteca Fabiola Roudha, junto a la ic\u00f3nica Mar\u00eda del Sol, presenta una versi\u00f3n en vivo de <\/span><b>Vu\u00e9lveme a Besar<\/b><span style=\"font-weight: 400;\">, parte de una serie de reversiones grabadas con banda completa que buscan ampliar su audiencia a nuevas generaciones.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">El pop-rock sube la energ\u00eda con D\u2019Bowman y su sencillo <\/span><b>Si No Te Vas<\/b><span style=\"font-weight: 400;\">, pieza fren\u00e9tica que abre paso a su pr\u00f3ximo EP, D\u2019Bowman Vol. 2, y muestra el potencial de una banda joven en ascenso.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Desde la electr\u00f3nica, Rafatel y Papa Jazz presentan <\/span><b>Felipe Morris<\/b><span style=\"font-weight: 400;\">, un track directo al dancefloor que reafirma la visi\u00f3n vanguardista de Boyanza Records, sello clave de la escena independiente mexicana.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>El 2025 se nos fue entre los dedos y, mientras el calendario marca su recta final, los artistas aprovechan diciembre para lanzar esos proyectos que cierran ciclos, abren nuevos caminos y preparan lo que vendr\u00e1 el pr\u00f3ximo a\u00f1o. Entre \u00e1lbumes deluxe, colaboraciones inesperadas, sesiones en vivo y sencillos que adelantan nuevas etapas creativas, estos son [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[6],"tags":[],"columnista":[],"class_list":["post-859","post","type-post","status-publish","format-standard","hentry","category-estilo-de-vida"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/859","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=859"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/859\/revisions"}],"predecessor-version":[{"id":861,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/859\/revisions\/861"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=859"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=859"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=859"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=859"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}