{"id":950,"date":"2026-03-06T23:01:52","date_gmt":"2026-03-07T05:01:52","guid":{"rendered":"https:\/\/elcontemporaneo.mx\/?p=950"},"modified":"2026-03-06T23:01:52","modified_gmt":"2026-03-07T05:01:52","slug":"fallece-pedro-friedeberg-referente-del-surrealismo","status":"publish","type":"post","link":"https:\/\/elcontemporaneo.mx\/index.php\/2026\/03\/06\/fallece-pedro-friedeberg-referente-del-surrealismo\/","title":{"rendered":"Fallece Pedro Friedeberg, referente del surrealismo"},"content":{"rendered":"

\"\"<\/p>\n

Pedro Friedeberg, arquitecto y artista mexicano, falleci\u00f3 a los 90 a\u00f1os, y dej\u00f3 un legado \u00fanico dentro del arte contempor\u00e1neo y surrealismo de M\u00e9xico.\u00a0<\/span><\/p>\n

Con un estilo irreverente y fant\u00e1stico, el arquitecto alcanz\u00f3 fama internacional gracias a su \u201cSilla Mano\u201d, pieza que se convirti\u00f3 en s\u00edmbolo del arte surrealista.<\/span><\/p>\n

Nacido en 1936 en Florencia, Italia, lleg\u00f3 a M\u00e9xico desde ni\u00f1o y desarroll\u00f3 una trayectoria marcada por la geometr\u00eda, el simbolismo y la imaginaci\u00f3n. Aunque estudi\u00f3 arquitectura, su carrera se consolid\u00f3 en las artes pl\u00e1sticas, donde cre\u00f3 pinturas, esculturas y muebles que desafiaban lo convencional.<\/span><\/p>\n

Pedro falleci\u00f3 en San Miguel de Allende, rodeado de su familia, seg\u00fan confirmaron sus allegados. Su partida marca el cierre de una etapa importante del surrealismo mexicano, corriente art\u00edstica que encontr\u00f3 en su obra una de sus expresiones m\u00e1s singulares.<\/span><\/p>\n

Foto:<\/strong> Sitio oficial de Pedro Friedeberg<\/span><\/span> \u2013 pedrofriedeberg.com\/bio<\/a>.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Pedro Friedeberg, arquitecto y artista mexicano, falleci\u00f3 a los 90 a\u00f1os, y dej\u00f3 un legado \u00fanico dentro del arte contempor\u00e1neo y surrealismo de M\u00e9xico.\u00a0 Con un estilo irreverente y fant\u00e1stico, el arquitecto alcanz\u00f3 fama internacional gracias a su \u201cSilla Mano\u201d, pieza que se convirti\u00f3 en s\u00edmbolo del arte surrealista. Nacido en 1936 en Florencia, Italia, […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"columnista":[],"class_list":["post-950","post","type-post","status-publish","format-standard","hentry","category-nacion"],"_links":{"self":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/950","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/comments?post=950"}],"version-history":[{"count":1,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/950\/revisions"}],"predecessor-version":[{"id":952,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/posts\/950\/revisions\/952"}],"wp:attachment":[{"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/media?parent=950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/categories?post=950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/tags?post=950"},{"taxonomy":"columnista","embeddable":true,"href":"https:\/\/elcontemporaneo.mx\/index.php\/wp-json\/wp\/v2\/columnista?post=950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}